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The Civil Contract of Photography

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( 110 ratings, 9 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Civil Contract of Photography by Ariella Azoulay argues that photography is a powerful tool for political agency and resistance, accessible even to those with flawed or nonexistent citizenship. Azoulay explores how photographs can create a form of civic membership, focusing on political and ethical implications through the lens of stateless Palestinians in Israel and the representation of women in Western societies. The book critically analyses press images from the Occupied Territories and iconic photographs, questioning the conditions that allow the visibility of suffering and injustice.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is essential reading for scholars and students of arts, culture, political theory, photography, human rights, and anyone interested in the intersection of visual culture and political justice.

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An argument that anyone can pursue political agency and resistance through photography, even those with flawed or nonexistent citizenship.

"Ariella Azoulay makes a simple and profound claim. Every photograph bears the traces of the encounter between the photographer and the photographed, and neither party can ultimately control that inscription nor determine what happens to those traces. The photograph, she tells us, fixes nothing and belongs to no one. This untethering of photography from responsibility, at least in its traditional sense, allows her to approach the ethics and politics specific to photography in a completely new way. Even or especially when it is a photograph of a crime or an injustice, a photograph is more than evidence. It imposes another sort of obligation on us, to address and readdress it in a way that challenges what it shows of our life together. Azoulay's breathtaking book finally demands nothing less of us than to reimagine how, in the age of the photograph, we might become citizens again."--- Thomas Keenan, Human Rights Program, Bard College -- Thomas Keenan "Ariella Azoulay makes a simple and profound claim. Every photograph bears the traces of the encounter between the photographer and the photographed, and neither party can ultimately control that inscription nor determine what happens to those traces. The photograph, she tells us, fixes nothing and belongs to no one. This untethering of photography from responsibility, at least in its traditional sense, allows her to approach the ethics and politics specific to photography in a completely new way. Even or especially when it is a photograph of a crime or an injustice, a photograph is more than evidence. It imposes another sort of obligation on us, to address and readdress it in a way that challenges what it shows of our life together. Azoulay's breathtaking book finally demands nothing less of us than to reimagine how, in the age of the photograph, we might become citizens again." Thomas Keenan , Human Rights Program, Bard College

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

An argument that anyone can pursue political agency and resistance through photography, even those with flawed or nonexistent citizenship.

In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing the power relations that sustain and make possible photographic meanings, Azoulay argues that anyoneβ€”even a stateless personβ€”who addresses others through photographs or is addressed by photographs can become a member of the citizenry of photography. The civil contract of photography enables anyone to pursue political agency and resistance through photography.

Photography, Azoulay insists, cannot be understood separately from the many catastrophes of recent history. The crucial arguments of her book concern two groups with flawed or nonexistent citizenship: the Palestinian noncitizens of Israel and women in Western societies. Azoulay analyzes Israeli press photographs of violent episodes in the Occupied Territories and interprets various photographs of womenβ€”from famous images by stop-motion photographer Eadweard Muybridge to photographs from Abu Ghraib prison.

Azoulay asks this question: under what legal, political, or cultural conditions does it become possible to see and to show disaster that befalls those who can claim only incomplete or nonexistent citizenship?

Drawing on such key texts in the history of modern citizenship as the Declaration of the Rights of Man together with relevant work by Giorgio Agamben, Jean-Francois Lyotard, Susan Sontag, and Roland Barthes, Azoulay explores the visual field of catastrophe, injustice, and suffering in our time. Her book is essential reading for anyone seeking to understand the disasters of recent historyβ€”and the consequences of how these events and their victims have been represented.

Series: The Civil Contract of Photography

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  • The Civil Contract of Photography
    An argument that anyone can pursue political agency and resistance through photography, even those with flawed or nonexistent citizenship. In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing the power relations that sustain and make possible photographic meanings, Azoulay argues that anyoneβ€”even a stateless personβ€”who addresses others through photographs or is addressed by photographs...
    Paperback
    $7999
    Available
    Ships in 4-6 weeks

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Critics praise Azoulay's work for its relevance to contemporary political issues and for challenging complacency in understanding state violence and human rights. Abigail Solomon highlights its focus on state violence and photographic witness as urgently relevant, while Steve Edwards calls it a significant and deeply moral book that renews cultural attention to the state and challenges prevailing interpretations of photographic evidence.

Book Hero reading reviews

Book Details

INFORMATION

ISBN: 9781890951894

Publisher: Zone Books

Format: Paperback / softback

Date Published: 18 December 2012

Country: United States

Imprint: Zone Books

Illustration: 10 color illus., 100 b&w illus.

Audience: General / adult, Adult education

DIMENSIONS

Spine width: 44.0mm

Width: 152.0mm

Height: 229.0mm

Weight: 839g

Pages: 592

About the Author

Ariella is Assistant Professor of Comparative Literature and Modern Culture and Media at Brown University and the author of Death's Showcase: the Power of Image in Contemporary Democracy (MIT Press).

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