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Taxi

Journey Through My Windows
4.08 goodreads logo

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( 12 ratings, 2 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Taxi: Journey Through My Windows 1977–1987 offers a gritty and intimate look at New York City in the late 1970s and early 1980s through the eyes of cab driver and photographer Joseph Rodriguez. His black and white photographs capture the city's vibrant multicultural streets and its diverse inhabitants, from working-class borough residents to members of the thriving LGBTQ community. Against a backdrop of chaos, crime, and music scenes, Rodriguez documents moments of humanity and resilience amid the urban turmoil.
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Format: Hardback
$7900

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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book appeals to readers interested in urban history, documentary photography, and New York City's cultural past, particularly during a transformative and challenging period. It suits those drawn to humanist narratives within arts and culture, as well as fans of photographic memoirs revealing social realities.

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A unique street photography book from the perspective of a former cab driver and award-winning photographer.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

New York City in the late '70s was a collection of villages with its downtown scene, midtown workers, and uptown elegance. It was also a city that was more integrated than ever before or ever would be again. All of the city's humanity met in its streets with layered soundtracks of salsa, rock, disco, reggae, and soon hip-hop booming for all to groove to.

But, NYC was also a place of chaos and mayhem. Teetering on the brink of bankruptcy with rampant crime, it was the city's drug users, dealers, and pimps and prostitutes who ruled the streets of Manhattan.

The grittiness of the city was a beacon and a promise to many outsiders, those who didn't quite fit into any mould, and a vibrant LGBTQ community became the nexus of an underworld of sex workers who liked to party. For a NYC cabbie such as Joseph Rodriguez, the hot spots to pick up fares were clubs like the Hellfire, Mineshaft, The Anvil, The Vault, and Show World.

Losing his first camera and lens in a classic '70s New York stabbing and mugging, Rodriguez's wounds healed and he armed himself with a new camera to document what he saw on the job: hookers getting off their shifts, transvestites and S&M partiers doin' it in the back seat or somehow pulling off an unlikely costume change from bondage gear to emerge from the cab clean-cut in an oxford and khakis ready to face unwitting family and friends.

A humanist at heart, his photographs speak of the dignity of the city's working class from all the boroughs and those struggling to get by.

The Economic Hardship Reporting Project provided funding to support Taxi: Journey Through My Windows 1977–1987.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Critics praise Rodriguez's photography for revealing a consistent human warmth amidst a tough New York City era. Brooklyn Magazine highlights the enduring dignity in his frames, while the New York Times Book Review commends him as a fearless and astute photographer rather than merely a taxi driver with a camera. The book earned a spot among Vanity Fair's best coffee-table books of 2020 and was featured in New York Magazine's 50th anniversary issue. Reviewers note that Rodriguez’s images capture the vivid intensity of the city’s people and their diverse lives.

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Book Details

INFORMATION

ISBN: 9781576879313

Publisher: powerHouse Books,U.S.

Format: Hardback

Date Published: 24 December 2020

Country: United States

Imprint: powerHouse Books,U.S.

Illustration: 132 Illustrations, unspecified

Audience: General / adult

DIMENSIONS

Width: 247.0mm

Height: 190.0mm

Weight: 250g

Pages: 132

About the Author

Joseph RodriguezΒ was born and raised in Brooklyn, New York. He began studying photography at the School of Visual Arts and went on to receive an Associate of Applied Science degree at New York City Technical College. He worked in the graphic arts industry before deciding to pursue photography further. In 1985 he graduated with a Photojournalism and Documentary diploma from the International Center of Photography in New York. He went on to work for Black Star photo agency, and print and online news organizations likeΒ Esquire, The Guardian,Β Mother Jones,Β National Geographic,Β New America Media,Β The New York Times Magazine,Β Newsweek,Β Stern,Β andΒ TheΒ Washington Post. He has received awards and grants from the New York Foundation for the Arts, Artists' Fellowship, USC Annenberg Institute for Justice and Journalism, the Open Society Institute Justice Media Fellowship and Katrina Media Fellowship, National Endowment for the Arts, the Rockefeller Foundation, Mother Jones International Fund for Documentary Photography, and the Alicia Patterson Fellowship Fund for Investigative Journalism. He has been awarded Pictures of the Year by the National Press Photographers Association and the University of Missouri, in 1990, 1992, 1996 and 2002. He is the author ofΒ Spanish Harlem, part of the β€œAmerican Scene” series, published by the National Museum of American Art/ D.A.P., as well asΒ East Side Stories: Gang Life in East Los Angeles,Β Juvenile,Β Flesh Life Sex in Mexico City, andΒ Still Here: Stories After Katrina, published by powerHouse Books. Recent exhibitions include Galerie Bene Taschen, Cologne, Germany; Irene Carlson Gallery of Photography, University of La Verne, California; Third Floor Gallery, Cardiff, Wales, UK Institute for Public Knowledge, New York, NY; Moving Walls, Open Society Institute, New York, NY; and Cultural Memory Matters, 601 Art Space, New York, NY.

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