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Stepford Daughters
Tools for Feminists in Contemporary Horror
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for readers interested in film studies, gender studies, and social critique, especially those fascinated by horror as a lens on societal issues.
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Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
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Description
In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together.
In doing so, Isaacson makes the case that this often-maligned genre is, in fact, a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world.
Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of colour perform the invisible labour that holds up our society, experiencing domestic work as a kind of possession.
In "coming of rage" films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need.
Book Details
INFORMATION
ISBN: 9781942173694
Publisher: Common Notions
Format: Paperback / softback
Date Published: 17 November 2022
Country: United Kingdom
Imprint: Common Notions
Illustration: Illustrations
Audience: General / adult
DIMENSIONS
Spine width: 12.0mm
Width: 139.0mm
Height: 215.0mm
Weight: 250g
Pages: 244
About the Author
Johanna Isaacson
writes academic and popular pieces on horror and politics. She is a professor of English at Modesto Junior College and a founding editor of Blind Field Journal. She is the author of The Ballerina and the Bull, has published widely in academic and popular journals, and runs the Facebook group, "Anti-capitalist Feminists Who Like Horror Films."
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A minute-by-minute analysis of Brian De Palma’s 1972 horror film, Sisters, weaving in Marxist feminist theory to foreground an appreciation of the film and bid for its enduring relevance for feminists, despite controversy surrounding its director. Sisters is one of De Palma’s most extraordinary and important films, and yet it is often disregarded, misunderstood, or underestimated. The two main characters,...Paperback$4099Unit price /UnavailableOut 15 Oct 2026Pre-order -
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