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Shirley Villavicencio Pizango

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Brief Description
In her vibrant paintings, Shirley Villavicencio Pizango (1988, Peru) uses memories, family stories, and personal encounters to create poetic portraits of friends, family, and strangers. Her figures appear in settings steeped in symbolism: lush Amazonian flora, ceramic motifs, and geometric patterns reminiscent of Inca culture. At... Read More
Format: Hardback
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In her vibrant paintings, Shirley Villavicencio Pizango (1988, Peru) uses memories, family stories, and personal encounters to create poetic portraits of friends, family, and strangers. Her figures appear in settings steeped in symbolism: lush Amazonian flora, ceramic motifs, and geometric patterns reminiscent of Inca culture.

At the same time, she draws inspiration from the European painting tradition, in which colour and form acquire emotional power. Villavicencio Pizango doesn't shy away from broader social themes either, such as gender, diversity and identity in a Western context.

Publication in collaboration with Gallery Sofie Van de Velde.

Book Details

INFORMATION

ISBN: 9789493416758

Publisher: Hannibal Books

Format: Hardback

Date Published: 23 July 2026

Country: Belgium

Imprint: Hannibal Books

Illustration: Full colour

Contributors:

  • By Shirley Villavicencio Pizango

Audience: General / adult

DIMENSIONS

Width: 230.0mm

Height: 275.0mm

Weight: 1280g

Pages: 208

Collections

Arts & Culture Education & Reference Non-Fiction

About the Author

Having grown up in the Peruvian capital of Lima and the small village of Santiago De Borja in the Amazon rainforest, Shirley Villavicencio Pizango moved to Ghent, Belgium when she was eighteen years old. Fourteen years later, Villavicencio Pizango has nicely reconciled these diverse experiences to record her daily life in Ghent by painting portraits of family, friends and strangers. She portrays her sitters within lush vegetation and amidst textiles, pottery and geometric forms reminiscent of Incan sources. Her paintings are colorful, loose, expressionistic and folky and her sitters are depicted with a concise sensitivity that conveys nostalgia, memory and melancholy.

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