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Queer Print in Europe

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Queer Print in Europe explores how radical print cultures have preserved and shaped queer lived experience across Europe from the 1960s to today. It traces the rise of an international gay rights movement through the lens of ephemeral print materials such as manifestos, flyers, posters and zines. Featuring interviews and new theoretical essays, the book examines how these publications contributed to LGBTQ+ activism within national contexts and fostered a transnational β€˜post-national’ queer community. It also highlights the significant influence of queer print on both queer history and the evolution of print design.
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Format: Paperback / softback
$6299
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for readers interested in LGBTQ+ history, print culture, queer studies, and European cultural movements, including academics and students in these fields.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

How have radical print cultures fostered and preserved queer lived experience from the 1960s to the present? What alternative stories about queer life across Europe can visual material reveal?

Queer Print in Europe is the first book devoted to the exploration of queer print cultures in Europe, following the birth of an international gay rights movement in the late 1960s. By unearthing these ephemeral paper documents from archives and personal collections, including materials that have been out of circulation since they were first distributed, this book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism within specific national contexts.

This vital contribution to queer history explores borders and political movements, and the ways in which these materials contributed, through their international circulation, to the creation of a β€˜post-national’ queer community.

Illustrated throughout with examples of manifestos, flyers, posters, zines, and other forms of print media, it features interviews with those responsible for making, distributing, or archiving queer print. Alongside a series of new theoretical essays, it sets particular publications and the individuals and groups that produced them in context.

The book isolates specific instances of queer print media and scrutinises their design aesthetics, identifying both the significant contribution that queer print has made to histories of LGBTQ+ struggle and to the history of print design.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Praised as a timely and necessary analysis, the book offers a rich history of European queer print cultures and challenges North American centrism in queer cultural studies. Reviewers commend its unique use of interviews, wide-ranging historical and political insights, and well-organised essays that broaden the field beyond US-focused perspectives.

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Book Details

INFORMATION

ISBN: 9781350273498

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 17 November 2022

Country: United Kingdom

Imprint: Bloomsbury Visual Arts

Illustration: 100 colour illus

Contributors:

  • Edited by Glyn Davis
  • Edited by Laura Guy

Audience: Tertiary education

DIMENSIONS

Spine width: 16.0mm

Width: 188.0mm

Height: 246.0mm

Weight: 760g

Pages: 272

About the Author

Glyn Davis is Professor of Film Studies at the University of St Andrews, UK. He is the author, co-author, or co-editor of eleven books, including The Richard Dyer Reader (BFI/Bloomsbury, co-edited with Jaap Kooijman, forthcoming 2022), The Living End: A Queer Film Classic (forthcoming, 2022), and Pop Cinema (co-edited with Tom Day, forthcoming 2022). From 2016 to 2019, Glyn was the Project Leader of β€˜Cruising the Seventies: Unearthing Pre-HIV/AIDS Queer Sexual Cultures’, a pan-European queer history project funded by HERA and the European Commission (www.crusev.ed.ac.uk).

Laura Guy is Lecturer in Fine Art Critical Studies at The Glasgow School of Art, UK. Her research focuses on post-1960s photographic, documentary and print cultures and has recently been published in Third Text, Women: A Cultural Review, Aperture and Frieze. She is editor of Phyllis Christopher, Dark Room: San Francisco Sex and Protest, 1988-2003 (2021).

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