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Pop Cinema
Brief Description
Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art. The essays in the collection focus on the core concerns of Pop as a widespread and ideologically complex art movement. They examine the ways...
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Pop Cinema
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See moreExamines how the tropes of Pop Art are expressed in film.
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Description
Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art.
The essays in the collection focus on the core concerns of Pop as a widespread and ideologically complex art movement. They examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics—flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources—were adopted, reworked, or abandoned by such filmmakers.
At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say?
Book Details
INFORMATION
ISBN: 9781474497916
Publisher: Edinburgh University Press
Format: Paperback / softback
Date Published: 30 April 2026
Country: United Kingdom
Imprint: Edinburgh University Press
Illustration: 48 black and white illustrations
Contributors:
- Edited by Glyn Davis
- Edited by Tom Day
Audience: Professional and scholarly
DIMENSIONS
Width: 156.0mm
Height: 234.0mm
Weight: 0g
Pages: 280
Collections
About the Author
Glyn Davis is Professor of Film Studies at the University of St Andrews. He is the author of Queer as Folk (2007) and the co-editor of Queer TV (2008). Tom Day is Executive Director of the New American Cinema Group/The Film-Makers' Cooperative in New York City.
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