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Pop Cinema

Brief Description
Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art.The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways... Read More
Format: Paperback / softback
$10100
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Examines how the tropes of Pop Art are expressed in film.

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Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art.

The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources were adopted, reworked, or abandoned by such filmmakers.

At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say?

Book Details

INFORMATION

ISBN: 9781474497916

Publisher: Edinburgh University Press

Format: Paperback / softback

Date Published: 30 April 2026

Country: United Kingdom

Imprint: Edinburgh University Press

Illustration: 48 black and white illustrations

Contributors:

  • Edited by Glyn Davis
  • Edited by Tom Day

Audience: Professional and scholarly

DIMENSIONS

Width: 156.0mm

Height: 234.0mm

Weight: 0g

Pages: 280

About the Author

Glyn Davis is Professor of Film Studies at the University of St Andrews. He is the author of Queer as Folk (2007) and the co-editor of Queer TV (2008). Tom Day is Executive Director of the New American Cinema Group/The Film-Makers' Cooperative in New York City.

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