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New Soviet Man

Gender and masculinity in Stalinst Soviet cinema
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
New Soviet Man explores masculinity in Stalinist Soviet cinema, analysing how films portrayed the ideal relationship between Stalin and his "model sons" across key genres from cities to collective farms and border regions. The study situates these portrayals within Stalinist discourse and wider debates on cinema and manhood.
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Format: Paperback / softback
$10200

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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers interested in Soviet history, film studies, gender roles, and cultural analysis.

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Examines the 'New Soviet Man' not only as an ideal of masculinity presented to Soviet cinemagoers, but also, precisely, as a man in his specific, and hotly debated social, cultural and political context

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Cinema has long been recognized as the privileged bridge between Soviet ideologues and their mass public. Recent feminist-oriented work has drawn out the symbolic role of women in Soviet culture, but, not surprisingly, men too were expected to play their part.

This is a study of masculinity in Stalinist Soviet cinema. A detailed analysis of Stalinist discourse sets the stage for an examination of the imagined relationship between the patriarch Stalin and his "model sons" in the key genre cycles of the era: from the capital to the collective farms, and ultimately to the very borders of the Soviet state.

Informed by contemporary and present-day debates over the social and cultural significance of cinema and masculinity, New Soviet Man draws on a range of theoretical and comparative material to produce engaging and accessible readings, accounting for both the appeal of—and the inherent potential for subversion within—films produced by the Stalinist culture industry.

Book Details

INFORMATION

ISBN: 9780719062384

Publisher: Manchester University Press

Format: Paperback / softback

Date Published: 27 March 2003

Country: United Kingdom

Imprint: Manchester University Press

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 13.0mm

Width: 138.0mm

Height: 216.0mm

Weight: 281g

Pages: 224

About the Author

John Haynes is Lecturer in Film Studies in the Department of History at the University of Essex

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