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National Theatre Connections 2019

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
National Theatre Connections 2019 is an anthology showcasing 10 new plays by leading UK playwrights, crafted for young actors aged 13-19 involved in the National Theatre Connections festival. The collection features diverse themes such as hope and generational choices in Salt, the cutthroat nature of school politics in Class, mental health struggles in the musical The Sad Club, and the complexities of youth and identity in Chaos. The anthology also includes practical notes on staging and performing the texts, making it an invaluable resource for schools and youth theatres.
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This volume is ideal for drama teachers, youth theatre practitioners, and young performers keen to explore contemporary issues through original plays. It suits secondary school students and youth groups seeking engaging, thought-provoking material for performance.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical productionβ€”from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.

This anthology brings together 10 new plays by some of the UK's most prolific and current writers and artists, alongside notes on each of the texts exploring performance for schools and youth groups.

Salt
Life is never plain sailing, but when a new government initiative comes into place offering young people the chance to train and learn skills overseas, droves of teens jump at the chance to secure their future. Once on board the transport ship, the promises of the glossy advert seem a far cry from what lies ahead. A play about generations, choices and hope.

Class
It’s school election time and while most of the school is busy enjoying their lunch break, a deadlock is taking place amongst the members of the school council. Bitter rivalries, secret alliances and false promises are laid bare. As a ruthless battle ensues, who will win and does anyone really care? A play about politics, populism and the β€˜ping’ of a text message.

The Sad Club
This is a musical about depression and anxiety. It’s a collection of monologues, songs and duologues from all over time and space exploring what about living in this world stops us from being happy and how we might go about tackling those problems.

Chaos
A girl is locked in a room. A boy brings another boy flowers. A girl has tied herself to a railing. A boy doesn’t know who he is. A girl worries about impending catastrophe. A woman jumps in front of a train. A boy’s heart falls out his chest. A butterfly has a broken wing.

Stuff
Vinny's organising a surprise birthday party for his mate, Anita. It's not going well: his choice of venue is a bit misguided, Anita's not keen on leaving the house, and everyone else has their own stuff going on. Maybe a surprise party wasn’t the best idea? A play about trying (but not really managing) to help.

Flesh
A group of teenagers wake up in a forest with no clue how they got there. They find themselves separated into two different teams but have no idea what game they are expected to play. With no food, no water and seemingly no chance of escape, it’s only a matter of time before things start to get drastic. But whose side are people on and how far will they go to survive?

Ageless
In a not too distant future, Temples pharmaceutical corporation has quite literally changed the face of ageing. Their miracle drug keeps its users looking perpetually teenage. With an ever youthful population, how can society support those who are genuinely young?

The Small Hours
It’s the middle of the night and Peebs and Epi are the only students left at school over half-term. At the end of their night out, former step-siblings Red and Jazz try to navigate their reunion. With only a couple of hours until morning, Jaffa tries to help Keesh finish an essay. As day breaks, Wolfie is getting up the courage to confess a secret to VJ at a party. Their choices are small yet momentous. The hours are small but feel very, very long. And when the night finally ends, the future is waitingβ€”all of it.

terra
A group of classmates is torn apart by the opportunity to perform their own dance. As they disagree and bicker, two distinct physical groups emerge and separate into opposing teams. When a strange outsider appearsβ€”out of step with everyone elseβ€”the divide is disrupted. A contemporary narrative dance piece about individuality, community and heritage.

Variations
Thirteen-year-old Alice wishes her life was completely different. She wakes up one morning to find that her life is different. In fact, it's so different that all she wants to do is get back to normality. But how does she do that?

Series: Plays for Young People

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  • National Theatre Connections Monologues
    For the first time, there is an anthology of monologues for young people available, taken from plays commissioned as part of the National Theatre Connections over the past 20 years. Always drawing together the work of 10 leading playwrightsβ€”a mixture of established and current writersβ€”the annual National Theatre Connections anthologies offer young performers between the ages of 13 and 19...
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  • National Theatre Connections 2024
    National Theatre Connections 2024 draws together ten new plays for young people to perform, from some of the UK's most exciting and popular playwrights. These are plays for a generation of theatre-makers who want to ask questions, challenge assertions, and test the boundaries. They are also for those who love to invent and imagine a world of possibilities. The plays...
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  • The Curious Incident of the Dog in the Night-Time: Abridged for Schools
    This abridged edition is designed for schools and has been adapted for 10 actors playing all of the roles. With a running time of just 90 minutes it is suitable for performance in non-theatre spaces, with minimal technical requirements. The Curious Incident of the Dog in the Night-Time brings Mark Haddon's best-selling novel to life on stage, adapted by two-time...
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  • The Leap
    It was an accident! When Wendy jumps off the family piano and shatters her mam’s favourite glass table, she doesn't just break the glass, she cracks open a whole other world. With the shards packed into her backpack and emotions bubbling inside her, Wendy follows her dad through a trapdoor and into another world. The Leap takes us to a...
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  • National Theatre Connections 2022
    It is the scale and range of creative collaboration inherent in theatre that sits at the very heart of National Theatre Connections. National Theatre Connections 2022 draws together ten new plays for young people to perform, from some of the UK's most exciting playwrights. These are plays for a generation of theatre-makers who want to ask questions, challenge assertions and...
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  • Australian One-Act Plays for Young Adults
    Five compelling and theatrically dynamic plays that celebrate the strength of the human spirit, blending hope, humour and heart. Australian One-Act Plays for Young Adults is a collection of original plays that has been crafted to serve as a valuable and pragmatic resource for educators and theatre-makers seeking engaging and adaptable scripts for young people. In each story are universal...
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  • Pre-order
    Australian One-Act Plays for Young Adults
    Five compelling and theatrically dynamic plays that celebrate the strength of the human spirit, blending hope, humour and heart. Australian One-Act Plays for Young Adults is a collection of original plays crafted to serve as a valuable and pragmatic resource for educators and theatre-makers seeking engaging and adaptable scripts for young people. In each story are universal themes and strongly...
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    Pre-order
    Out 23 Jul 2026
  • Beyond The Canon’s Plays for Young Activists
    Nominated for Outstanding Drama Education Resource at the 2024 Music & Drama Education Awards A first-of-its-kind anthology, Beyond The Canon’s Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK’s most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young...
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  • National Theatre Connections 2019
    National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical productionβ€”from costume and set design to stage management and marketing campaigns....
    Paperback
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    Available
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  • National Theatre Connections 2023
    National Theatre Connections 2023 draws together ten new plays for young people to perform, from some of the UK's most exciting and popular playwrights. These are plays for a generation of theatre-makers who want to ask questions, challenge assertions and test the boundaries, and for those who love to invent and imagine a world of possibilities. The plays offer young...
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  • The Wood of Words
    Friendship makes us fresh.And doth beget new courage in our breasts. A new play for young people and schools, created from Shakespeare’s works. In this wood of words, a band of newcomers arrive to witness banishments, storms, unhappy endings, reunions, and murder most foul... and try to make sense of it all. This unique and thoughtful adaptation for young performers...
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Book Details

INFORMATION

ISBN: 9781350108370

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 13 June 2019

Country: United Kingdom

Imprint: Methuen Drama

Audience: Professional and scholarly

DIMENSIONS

Spine width: 44.0mm

Width: 138.0mm

Height: 216.0mm

Weight: 640g

Pages: 688

About the Author

Rob Drummond is a writer, performer and director from Glasgow. His theatre credits include Sixteen, Bullet Catch, Hunter, Post Show, Allotment, Mr Write, Rob Drummond: Wrestling and Top Table. In 2011 Rob wrote, performed and directed his critically acclaimed show Rob Drummond: Wrestling for which he trained as a professional wrestler. His dark comedy Top Table appeared at Oran Mor in 2011 and his modern retelling of the Passion premiered in George Square in 2015. His play Don't. Make. Tea. premiered at the Traverse Theatre in autumn 2022 to critical acclaim, before it toured the UK in spring 2024. Nell Leyshon is a novelist and playwright, born in Glastonbury and now based in Dorset. She has written a number of plays for BBC Radios 3 and 4. Her stage plays include Comfort Me with Apples, which won the Evening Standard Most Promising Playwright award in 2005 and an adaptation of Daphne du Maurier's short story Don't Look Now. In 2010, she became the first female playwright to be commissioned to write for Shakespeare's Globe since 1599. Katie Hims is a writer for stage, screen and radio. This year her stage work includes Variations for the National Theatre's NT Connections, Three Minutes After Midnight for The Globe Theatre’s Dark Night anthology series, and The Stranger On the Bridge which toured The Tobacco Factory and Salisbury Playhouse. Katie's previous stage work includes Billy the Girl for Clean Break at Soho Theatre and she has spent time on attachment to the National Theatre Studio. Since 2014 Katie has written for the radio series Home Front, including five seasons as lead writer. Other radio work includes Black Eyed Girls (winner of the BBC Audio Drama Award for Best Original Drama), Lost Property (winner of the BBC Audio Drama Award for Best Original Drama), The Gunshot Wedding (winner of The Writer’s Guild Best Original Radio Drama) and The Earthquake Girl (winner of the Richard Imison Award). Radio Adaptations include The Martin Beck Killings by Maj Sjowall and Per Wahloo. She has also written for the long running television series Casualty. Tom Wells is a playwright whose work includes Broken Biscuits (Live Theatre/Paines Plough UK tour, 2016); Folk (Birmingham Rep & tour, 2016); Jumpers for Goalposts (Watford Palace Theatre, 2013); The Kitchen Sink (Bush Theatre, 2011) and Me, As A Penguin(Arcola Theatre, 2010). Ben Bailey Smith started his career as a UK-based rapper known as Doc Brown before diversifying and moving into mainstream TV and film acting, stand up comedy, screen writing and children's books. He has a host of notable television performances under his belt including roles in Law & Order and Miranda as well as the British children's show 4 O'Clock Club. Lajaune Lincoln is a London based screenwriter. Current screenplays include the high concept neo-noir β€˜Real Eyes’; industry satire β€˜The One That Got Away’ featured in both Screen International and The Hollywood Reporter; sci-fi β€˜Mesmetopia’; eighties’ thrillers β€˜Dirty District’ and β€˜Double Diamonds’; and the psychological thriller β€˜Spacek’. Dawn King is an award-winning writer who works in theatre, radio, TV, VR and film. Laura Lomas is a playwright whose plays include Bird (Root Theatre and Echo); Blister (Paines Pough/Royal Welsh College of Music and Drama); Open Heart Surgery (Theatre Uncut); Come to Where I’m From (Paines Plough); Some Machine (Paines Plough/Rose Bruford); The Island (Nottingham Playhouse/Det Norske Oslo); Us Like Gods (Hampstead, Heat and Light); Gypsy Girl (Paines Plough Later at Soho) and Wasteland (New Perspectives/Derby Theatre; shortlisted for the Brian Way Award). Radio plays include My Boy (BBC Radio 4 Afternoon Play; Bronze SONY Award for best radio drama) and Lucy Island (BBC Radio 3). Her screen work includes Rough Skin (Touchpaper/Channel 4; shortlisted for Best British Short at British Independent Film Awards and Raindance Film Festival). She has also written two episodes of Glue (E4/Eleven Films), and has been commissioned by BBC Radio 4, Manchester Royal Exchange, and jointly by Clean Break and Birmingham Rep. She was a MacDowell Colony Fellow 2013, and a Yaddo Fellow 2014. Katherine Soper is a playwright. Her first play, WISH LIST, won the Bruntwood Prize for Playwriting, The Stage Debut Award for Best New Play, and caused Katherine to be nominated as Most Promising Playwright at the Evening Standard Awards. Benjamin Kuffuor graduated from the National Film and Television School in 2011, and his first project following graduation was developed by Big Talk Productions for E4. Prior to his time at the NFTS, Benjamin’s first short play was produced at the Theatre Royal Stratford East in 2007, and he participated in the Young Writers’ Programme at the Royal Court Theatre in 2008. Benjamin is currently developing projects for Television, Theatre and Film. Luke Barnes is an award-winning playwright, screenwriter and theatre-maker using live performance and film to tell stories and make a good night out that’s also useful as humans and as a community. Highlights include: Freedom Project (Leeds Playhouse), The Jumper Factory (Young Vic), The Sad Club (National Theatre), No One Will Tell Me How To Start A Revolution (Hampstead Theatre), All We Ever Wanted Was Everything (Bush Theatre, Paines Plough Roundabout with Middle Child), Bottleneck (Soho Theatre with HighTide), Chapel Street (Bush Theatre), Weekend Rockstars and Ten Storey Love Song (Hull Truck with Middle Child), and The Saints (Nuffield Theatre). He is an avid Liverpool fan and average (to poor) musician.

Also by Katie Hims

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Also by Rob Drummond

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  • You're All Talk
    Why do we have different accents and where do they come from? Why do you say 'tomayto' and I say 'tomahto?' And is one way of speaking better than another? In You're All Talk, linguist Rob Drummond explores the enormous diversity of our spoken language to reveal extraordinary insights into how humans operateβ€”how we perceive (and judge) other people and...
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