Monster In The Ash
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Monster In The Ash
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See moreSadie Shaposnick survived the war by running a black-market racket out of her husband's East End butcher shop. When caught, she is rescued not through litigation, but bail money supplied by her sister's wealthy in-laws— a debt that will not easily be forgotten. When resistance changes roles for women, it changes women's relationships: with sisters, with families and with the men they love.
As political commitment collides with personal cost, Monster in the Ash explores the intimate consequences of choosing not only to survive, but to fight back. Sadie Shaposnick survived the war by running a black-market racket out of her husband's East End butcher shop. When caught, she is rescued not through litigation, but bail money supplied by her sister's wealthy in-laws—a debt that will not easily be forgotten.
Soon after, her husband Leon returns from a German POW camp, profoundly altered by the trauma. Their marriage, now strained, persists more out of habit than love. Sadie and Leon live above the shop with Leon's brother and his wife. While the men run the business, the women are expected to keep house and raise children. But Sadie remains childless. Leon refuses to bring new life into a world that has revealed its enduring cruelty toward Jews.
He has little faith in the rumoured government reforms that Beveridge is working on or the promise of a new British state. His brother, by contrast, avoids politics altogether, investing in domestic stability and the demands of the family business. Tensions run high between the brothers over how best to live in post-war Britain.
Like a monster arising from the ashes of war, fascism is once again gaining power, this time in their own streets. The authorities are turning a blind eye to it. Appalled and determined to fight back, Leon joins a vigilante group that meets on Sadie's own (but now abandoned) shop. Sadie initially resists involvement, wary of further violence and loss. But as attacks escalate, she recognises that resistance may be the only way to protect her community, and perhaps even salvage her faltering marriage.
She soon becomes the gang's secretary, coordinating actions, gathering intelligence, and placing informants among the fascists. In doing so, Sadie discovers a capacity for leadership and resolve she has never before been permitted to explore.
Meanwhile, her widowed sister Karla, struggles to raise her daughters within the stultifying comforts of affluence. When her late husband's brother, Rafi, returns from fighting with armed partisans in Mandatory Palestine, Karla must decide how far she is willing to go to feel alive again. When Rafi crosses paths with Sadie, he is drawn into the struggle as well, sending the gang into even greater peril.
When resistance changes roles for women, it changes women's relationships: with sisters, with families and with the men they love. As political commitment collides with personal cost, this novel explores the intimate consequences of choosing not only to survive, but to fight back.
Book Details
INFORMATION
ISBN: 9781910461921
Publisher: Claret Press
Format: Paperback / softback
Date Published: 15 October 2026
Country: United Kingdom
Imprint: Claret Press
Audience: General / adult
DIMENSIONS
Weight: 0g
Pages: 200
About the Author
Born in the northwest of England, S. C. Gordon is a Liverpool-based author, poet, and journalist. Her poetry, fiction, and non-fiction have appeared in anthologies such as Eunoia Review, Junoesq, Unshod Quills, and the May Anthologies 10th Anniversary edition. Her first poetry collection, Peckham Blue, was published in London by Penned in the Margins in 2006, and her second collection, Harbouring, came out in November 2015 through Math Paper Press in Singapore.In the decade she spent living and working in Shanghai, she wrote and edited for English-language magazines such as Shanghai Business Review, China Economic Review, City Weekend and SH Magazine, covering business, lifestyle, travel, and culture, and entertainment. She has also written for Virgin Media, Conde Nast, Executive Travel and the BBC. She was part of the Royal Court Theatre's new writers' programme from 2007 until 2008, and was a finalist and runner-up in British Vogue's young writers' competition in 2004 and 2005. She has a PhD in Comparative Literature.
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