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Memory and Popular Film

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Memory and Popular Film explores memory as a lens for cultural study, focusing on Hollywood cinema from early film to the present day. It examines the interplay between official and modern memory, the politics surrounding memory, and how technological and representational changes affect the way memory is portrayed and mediated in film. The book gathers insights from film studies, American studies, and cultural studies, providing a rich framework to discuss memory's role in film and film as a form of memory. Key essays analyse early film marketing, popular reminiscence, film festivals, and memory films like Forrest Gump, Lone Star, Pleasantville, Rosewood, and Jackie Brown.
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Format: Paperback / softback
$4999
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers interested in cultural and film studies, particularly those keen on understanding how memory shapes and is shaped by popular cinema. Scholars, students, and cinephiles looking for an interdisciplinary approach to Hollywood films and cultural memory will find it especially valuable.

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"Memory and Popular Film" uses memory as a specific framework for the cultural study of film. Taking Hollywood as its focus, the text provides a sustained, interdisciplinary perspective on memory and film, from early cinema to the present.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Memory and Popular Film uses memory as a specific framework for the cultural study of film. Taking Hollywood as its focus, the text provides a sustained, interdisciplinary perspective on memory and film, from early cinema to the present.

Considering the relationship between official and modern memory, the politics of memory, and the technological and representational shifts that have come to affect memory's contemporary mediation, the book contributes to the growing debate on the status and function of the past in cultural life and discourse.

By gathering key critics from film studies, American studies, and cultural studies, the text establishes a framework for discussing the issues of memory in film and of film as memory.

Together with essays on the remembered past in early film marketing, within popular reminiscence and at film festivals, the book considers memory films such as Forrest Gump, Lone Star, Pleasantville, Rosewood, and Jackie Brown.

Series: Inside Popular Film

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  • Memory and Popular Film
    Memory and Popular Film uses memory as a specific framework for the cultural study of film. Taking Hollywood as its focus, the text provides a sustained, interdisciplinary perspective on memory and film, from early cinema to the present. Considering the relationship between official and modern memory, the politics of memory, and the technological and representational shifts that have come to...
    Paperback
    $4999
    Available
    Ships in 4-6 weeks
  • Monsters in the Closet
    Monsters in the Closet is a history of the horror film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materialsβ€”including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weekliesβ€”the book examines the historical figure of the movie monster in...
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Book Details

INFORMATION

ISBN: 9780719063756

Publisher: Manchester University Press

Format: Paperback / softback

Date Published: 17 April 2003

Country: United Kingdom

Imprint: Manchester University Press

Contributors:

  • Edited by Paul Grainge

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 15.0mm

Width: 138.0mm

Height: 216.0mm

Weight: 327g

Pages: 272

About the Author

Paul Grainge is Lecturer in Film Studies at the University of Nottingham

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