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John Martin

Brief Description
John Martin introduces us to a world where fish transform into knives, alligators turn into saws, and the artist himself becomes a Nokia phone. John Martin is one of the most fascinating contemporary Black American artists today. This publication aims to build an understanding and appreciation... Read More
Format: Hardback
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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

John Martin introduces us to a world where fish transform into knives, alligators turn into saws, and the artist himself becomes a Nokia phone. John Martin is one of the most fascinating contemporary Black American artists today. This publication aims to build an understanding and appreciation of his unique visual language, extending beyond the arts and disability communities.

John Martin was born in 1963 in Marks, Mississippi, and currently lives and works in Oakland, California, at the Creative Growth Art Center. He creates drawings, ceramics, and woodwork that blend memories of his family farm in Mississippi with his modern life in Oakland. Martin often depicts images from his collection of found objects, interpreting their function while subverting practicality through outrageous animal mash-ups, oversized Leatherman tools, and mysterious text.

His wry sense of humour is evident in all of his compositions, where he transforms utilitarian imagery into a graphic and animated aesthetic.

Book Details

INFORMATION

ISBN: 9783777443164

Publisher: Hirmer Verlag

Format: Hardback

Date Published: 04 April 2024

Country: Germany

Imprint: Hirmer Verlag

Illustration: 150 Illustrations, color

Contributors:

  • Text by Philip March Jones
  • Photographs by Cheryl Dunn

Audience: General / adult

DIMENSIONS

Width: 241.0mm

Height: 290.0mm

Weight: 1380g

Pages: 175

About the Author

Ginger Shulick Porcella is the Executive Director of Creative Growth Art Center, the premier organization for contemporary artists with developmental disabilities. She has curated critically acclaimed museum exhibitions such as: Amir H. Fallah: Scatter my Ashes on Foreign Lands; Blessed Be: Mysticism, Spirituality and the Occult in Contemporary Art; and Dazzled: OMD, Memphis Design and Beyond. She is the founder of 4Ground: Midwest Land Art Biennial and her exhibitions have been positively reviewed in Frieze, The New York Times, and Hyperallergic.

Philip March Jones is an artist, writer, and curator based in New York City. In 2009, Jones founded Institute 193, a nonprofit contemporary art space and publisher in Lexington, Kentucky. He later served as the inaugural director of the Souls Grown Deep Foundation in Atlanta, and as director of the Galerie Christian Berst (New York/Paris) and the Andrew Edlin Gallery in New York. Jones' photographs and writings have been published by the Jargon Society, Vanderbilt University Press, Dust-to-Digital and Poem 88, among others.

Cheryl Dunn is an American documentary filmmaker and photographer. She has made two feature films, Everybody Street (2013) and Moments Like This Never Last (2020). She has had three books of photographs published: Bicycle Gangs of New York (2005), Some Kinda Vocation (2007) and Festivals are Good (2015). Dunn's work has been exhibited at Tate Modern in London, Deitch Projects in New York City, and the Geffen Contemporary MOCA. She was one of the subjects in the documentary, book, and traveling museum exhibition Beautiful Losers.

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