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It Came from the Closet

Queer Reflections on Horror
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
It Came from the Closet explores the intersection of horror cinema and queer experience, featuring twenty-five essays by queer and trans writers. The contributors examine films from Halloween to Hereditary, analysing how horror tropes like the resilient 'final girl,' body possession, and lurking secrets resonate with or challenge queer identities. The collection reveals the complex relationship the queer community has with the horror genre—both its historical biases and its subversive, feminist potential—offering rich, personal insights into how these films illuminate queer life.
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Format: Paperback / softback
$4499
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This collection appeals to readers interested in film studies, queer theory, and cultural criticism, particularly those who appreciate the nuances of horror movies through a queer and trans lens. It suits academics, cinephiles, and anyone curious about the cultural intersections of sexuality, identity, and genre cinema.

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"Twenty-five narrative essays by contemporary LGBTQ writers reflecting on queerness in horror film, from Hitchcock to HALLOWEEN"--

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Through the lens of horror— from Halloween to Hereditary— queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.

Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient "final girl," body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.

It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer's Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

'A brilliant display of expert criticism, wry humor, and original thinking. This is full of surprises.' - Publishers Weekly, starred review

'A critical text on the intersections of film, queer studies, and pop culture that will appeal to both academic and public-library audiences.' - Booklist, starred review

'An essential look at how spooky movies so often offer solace through subversiveness.' - Electric Literature

'Unique and insightful.' - The Daily Dead

'A really terrific collection of essays by a great selection and variety of different authors—both fiction authors, poets, and essayists—about the intersection between queer studies and queer identity and horror movies.' - Gothamist

'An impressively diverse array of queer voices contributes their opinions on how and why particular horror movies made a personal and indelible impression on them.' - The Bay Area Reporter

'In this wonderful and only somewhat disturbing book (the subject is horror, after all), queer and trans writers explore the horror films that have shaped them and most reflected their own experiences. Horror, the anthology argues, while often full of misogyny and anti-trans, homophobic tropes, is also uniquely subversive and queer.' - Shondaland

'This book is perfect for exploring the queerness of horror through a kaleidoscopic lens.' - them.

Book Details

INFORMATION

ISBN: 9781952177798

Publisher: Feminist Press at The City University of New York

Format: Paperback / softback

Date Published: 17 November 2022

Country: United States

Imprint: Feminist Press at The City University of New York

Illustration: Illustrated part starts

Contributors:

  • Contributions by Carmen Maria Machado
  • Contributions by Sarah Fonseca
  • Contributions by Zefyr Lisowski
  • Edited by Joe Vallese
  • Contributions by Richard Scott Larson
  • Contributions by August Owens Grimm

Audience: General / adult

DIMENSIONS

Width: 152.0mm

Height: 215.0mm

Weight: 250g

Pages: 400

About the Author

Joe Vallese is coeditor of the anthology What's Your Exit? A Literary Detour Through New Jersey. His creative and pop culture writing appears in Bomb, VICE, Backstage, PopMatters, Southeast Review, North American Review, Narrative Northeast, VIA: Voices in Italian-Americana, among others. He has been a Pushcart Prize nominee and a notable in Best American Essays for his essay "Blood, Brothers." He is currently clinical associate professor in the Expository Writing Program at New York University, and previously served as site director and faculty for the Bard Prison Initiative. Joe holds an MFA New York University, and MAT and BA degrees from Bard College.Carmen Maria Machado is the author of the short story collection Her Body and Other Parties, which was a finalist for the National Book Award, and the bestselling memoir In the Dream House. She is a Guggenheim Fellow and the Abrams Artist-in-Residence at the University of Pennsylvania.
is a Pushcart-nominated, queer ghost-nerd based in Chicago. He is a coeditor ofFat and Queer: An Anthology of Queer and Trans Bodies and Lives. His essays and reviews have appeared inThe Rumpus,Brevity's Nonfiction Blog,Sweet: A Literary Confection,Entropy,AWP's Writer's Notebook, and elsewhere. He attended the 2021 Tin House Winter Workshop as well as residencies and workshops at The Fine Arts Work Center in Provincetown, Vermont Studio Center, and the Virginia Center for the Creative Arts (VCCA) among others.Zefyr Lisowski is a trans and queer writer, artist, three-time Pushcart nominee, and North Carolinian currently living in New York City. She is the author of Blood Box, winner of the Black River Editor's Choice Award, and the microchap Wolf Inventory. She is the poetry coeditor for Apogee and was a 2019 Tin House Summer Workshop Fellow. Lisowski's work has appeared in Literary Hub, Nat. Brut., Muzzle Magazine, and DIAGRAM, among others. She has received support from Sundress Academy for the Arts, McGill University, the New York Live Ideas Fest, the Blue Mountain Center for the Arts, and the 2019 CUNY Graduate Center Adjunct Incubator Grant.Richard Scott Larson earned his MFA from New York University, and he is the recent recipient of fellowships from MacDowell and the New York Foundation for the Arts. His creative and critical work has appeared in the Los Angeles Review of Books, Chicago Review of Books, Harvard Review, Colorado Review, Electric Literature, and elsewhere. His writing has also been listed as notable in The Best American Essays, and he is an active member of the National Book Critics Circle.
Sarah Fonseca is a self-taught writer from the Georgia foothills who lives in New York City. Her fiction and cinema writing have appeared in Bosie, Evergreen Review, Leste Magazine, the Los Angeles Review of Books, Museum of the Moving Image's Reverse Shot, and others. She is a coeditor of The New Lesbian Pulp (Feminist Press 2023).

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