Introduction to Film Studies
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Introduction to Film Studies
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Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas.
Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through key issues and concepts in film studies, traces the historical development of film, and introduces some of the world's key national cinemas.
A range of theories and theorists are presented, from Formalism to Feminism, and from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including two new authors for the fifth edition. A wide range of films are analysed and discussed. It is lavishly illustrated with 150 film stills and production shots, in full colour throughout. Reviewed widely by teachers in the field and with a foreword by Bill Nichols, it will be essential reading for any introductory student of film and media studies or the visual arts worldwide.
Key features of the fifth edition are:
- Updated coverage of a wide range of concepts, theories, and issues in film studies
- In-depth discussion of the contemporary film industry and technological changes
- New chapters on Film and Technology and Latin American Cinema
- New case studies on films such as District 9, Grizzly Man, Amores Perros, Avatar, Made in Dagenham, and many others
- Marginal key terms, notes, cross-referencing, suggestions for further reading, further viewing, and a comprehensive glossary and bibliography
- A new, improved companion website including popular case studies and chapters from previous editions (including chapters on German Cinema and The French New Wave), links to supporting sites, clips, questions, and useful resources
Individual chapters include:
- The Industrial Contexts of Film Production
- Film and Technology
- Getting to the Bigger Picture
- Film Form and Narrative
- Spectator, Audience, and Response
- Cinematic Authorship and the Film Auteur
- Stardom and Hollywood Cinema
- Genre, Theory, and Hollywood Cinema
- The Documentary Form
- The Language of Animation
- Gender and Film
- Lesbian and Gay Cinema
- Spectacle, Stereotypes, and Films of the African Diaspora
- British Cinema
- Indian Cinema
- Latin American Cinema
- Soviet Montage Cinema of the 1920s
Contributors: Linda Craig, Lalitha Gopalan, Terri Francis, Chris Jones, Mark Joyce, Searle Kochberg, Lawrence Napper, Jill Nelmes, Patrick Phillips, Suzanne Speidel, Paul Ward, Paul Watson, Paul Wells, and William Wittington.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Praise for this series: Introduction to Film Studies is widely recognised for its clarity and depth, with the fourth edition described as "even more comprehensive and accessible than previous editions," adeptly addressing new questions in film studies. Experts commend its thoughtful and scholarly approach, making it invaluable both for students seeking a robust introduction and teachers aiming to stay updated with current research in the cinema art form and industry.
Book Details
INFORMATION
ISBN: 9780415582575
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 09 November 2011
Country: United Kingdom
Imprint: Routledge
Edition: 5th edition
Illustration: 150 Halftones, color
Contributors:
- Edited by Jill Nelmes
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Width: 189.0mm
Height: 246.0mm
Weight: 1200g
Pages: 564
Collections
About the Author
Jill Nelmes is a senior lecturer at the University of East London. Her research interests include gender and film and screenwriting. She recently spent two years studying screenwriting at UCLA and working in the film industry in Los Angeles.
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