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Intercultural Acting and Performer Training

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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Intercultural Acting and Performer Training is a groundbreaking collection of essays from a global group of practitioners and scholars, exploring the complexities of intercultural acting and performer training in the twenty-first century. The book delves beyond traditional models, focusing on the intimate spaces of training studios and rehearsal rooms where new hybrid performance forms are emerging amidst a multicultural world.

It invites actors and teachers to rethink assumptions about acting and training in a globalised context, offering fresh perspectives on interculturalism in performance.
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Format: Hardback
$54800

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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for students, scholars, and performing arts practitioners interested in contemporary acting methodologies and intercultural performance studies.

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Intercultural Acting and Performer Training is the first collection of essays from a diverse, international group of authors and practitioners focusing on intercultural acting and voice practices worldwide.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Intercultural Acting and Performer Training is the first collection of essays from a diverse, international group of authors and practitioners focusing on intercultural acting and voice practices worldwide. This unique book invites performers and teachers of acting and performance to explore, describe, and interrogate the complexities of intercultural acting and actor/performer training taking place in our twenty-first century, globalised world.

As global contexts become multi-, inter- and intra-cultural, assumptions about what acting "is" and what actor/performer training should be continue to be shaped by conventional modes, models, techniques, and structures. This book examines how our understanding of interculturalism changes when we shift our focus from the obvious and highly visible aspects of production to the micro-level of training grounds, studios, and rehearsal rooms, where new forms of hybrid performance are emerging.

Ideal for students, scholars, and practitioners, Intercultural Acting and Performer Training offers a series of accessible and highly readable essays which reflect on acting and training processes through the lens offered by "new" forms of intercultural thought and practice.

Book Details

INFORMATION

ISBN: 9781138352131

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 11 June 2019

Country: United Kingdom

Imprint: Routledge

Illustration: 7 Line drawings, black and white; 25 Halftones, black and white

Contributors:

  • Edited by Phillip B. Zarrilli
  • Edited by T. Sasitharan
  • Edited by Anuradha Kapur
  • Edited by Zarrilli Phillip
  • Edited by T Sasitharan

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Width: 156.0mm

Height: 234.0mm

Weight: 566g

Pages: 286

Collections

Arts & Culture Non-Fiction

About the Author

Phillip Zarrilli is Artistic Director of The Llanarth Group and Emeritus Professor of Performance Practice at Exeter University, UK. Zarrilli is widely known for his publications on acting, including: Psychophysical Acting: an intercultural approach after Stanislavski (2009, 2010 Outstanding Book of the Year, ATHE); Acting (Re)Considered: Theories and Practices; and Acting: interdisciplinary and intercultural perspectives (co-author).

T. Sasitharan is Co-Founder and Director of the Intercultural Theatre Institute (ITI). He has worked as an actor, performer, director and producer and writes and lectures on art, theatre training, performance practice and Singapore culture. He received the Cultural Medallion, Singapore’s highest award for artists in 2012.

Anuradha Kapur is a theatre maker and presently Visiting Professor at Ambedkar University, Delhi. She is the author of Actors, Pilgrims, Kings and Gods: the Ramlila at Ramnagar, and her writings on performance have been widely anthologized. She completed her term as Director National School of Drama, New Delhi in 2013.

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