Hari Kunzru
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Hari Kunzru
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This is the first edited collection on Hari Kunzru. With new individual essays on each of Kunzru's novels as well as his short fiction and creative non-fiction, the book situates his writing within current debates on contemporary literature, and in relation to key historical events such as Brexit, the election of Trump, and the Covid-19 pandemic.
This book is the first edited collection to focus on the work of contemporary author Hari Kunzru. It contains major new essays on each of his novels: The Impressionist, Transmission, My Revolutions, Gods Without Men, White Tears, and Red Pill, as well as his short fiction and non-fiction writings.
The collection situates Kunzru's work within current debates regarding postmodernism, postcolonialism, and post-postmodernism. It examines how Kunzru's work is central to major thematic concerns of contemporary writing, including whiteness, national identity, Britishness, cosmopolitanism, music, space, memory, art practice, trauma, Brexit, immigration, covid-19, and populist politics.
The book engages with current debates regarding the politics of publishing ethnic writers, examining how Kunzru has managed to shape a career in resistance of narrow labelling where many other writers have struggled to achieve long-term recognition.
Series: Twenty-First Century Perspectives
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INFORMATION
ISBN: 9781526155207
Publisher: Manchester University Press
Format: Hardback
Date Published: 18 April 2023
Country: United Kingdom
Imprint: Manchester University Press
Contributors:
- Edited by Sara Upstone
- Edited by Kristian Shaw
- Edited by Kristian Shaw
Audience: General / adult
DIMENSIONS
Spine width: 14.0mm
Width: 138.0mm
Height: 216.0mm
Weight: 413g
Pages: 232
About the Author
Sara Upstone is Professor of Contemporary Literature and Faculty Director of Postgraduate Research at Kingston School of Art, Kingston University
Kristian Shaw is Senior Lecturer in English Literature at the University of Lincoln
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