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Exhibitions as Research

Experimental Methods in Museums
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Exhibitions as Research argues that museums could become more engaging for both researchers and visitors by viewing exhibitions as knowledge-in-the-making rather than merely display platforms for established facts. It explores the theoretical foundations and practical challenges of presenting evolving knowledge through exhibitions, questioning what forms of knowledge are suitable for this dynamic format. The book also investigates the evolving role of audiences when research becomes part of the exhibition experience.

Including practical case studies where museums have treated exhibition-making as a research process, it examines tools and challenges involved in this approach. Theoretical discussions draw on materiality theories, object-oriented ontology, and participatory exhibition-making, providing a rich context for this innovative perspective.
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Format: Hardback
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Ideal for academics and students of museology, material culture, anthropology, and archaeology, as well as museum professionals interested in contemporary exhibition trends and participatory practices.

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Exhibitions as Research contends that museums would be more attractive to both researchers and audiences if we consider exhibitions as "knowledge-in-the-making" rather than platforms for disseminating already-established insights.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Exhibitions as Research contends that museums would be more attractive to both researchers and audiences if we consider exhibitions as knowledge-in-the-making rather than platforms for disseminating already-established insights. Analysing the theoretical underpinnings and practical challenges of such an approach, the book questions whether it is possible to exhibit knowledge that is still in the making, whilst also considering which concepts of "knowledge" apply to such a format. The book also considers what the role of audience might be if research is extended into the exhibition itself.

Providing concrete case studies of projects where museum professionals have approached exhibition making as a knowledge-generating process, the book considers tools of application and the challenges that might emerge from pursuing such an approach. Theoretically, the volume analyses the emergence of exhibitions as research as part of recent developments within materiality theories, object-oriented ontology, and participatory approaches to exhibition-making.

Exhibitions as Research will be of interest to academics and students engaged in the study of museology, material culture, anthropology, and archaeology. It will also appeal to museum professionals with an interest in current trends in exhibition-making.

Series: Routledge Research in Museum Studies

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  • Exhibitions as Research
    Exhibitions as Research contends that museums would be more attractive to both researchers and audiences if we consider exhibitions as knowledge-in-the-making rather than platforms for disseminating already-established insights. Analysing the theoretical underpinnings and practical challenges of such an approach, the book questions whether it is possible to exhibit knowledge that is still in the making, whilst also considering which concepts...
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Book Details

INFORMATION

ISBN: 9781138646063

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 11 September 2019

Country: United Kingdom

Imprint: Routledge

Illustration: 2 Line drawings, color; 50 Halftones, color; 52 Illustrations, color

Contributors:

  • Edited by Peter Bjerregaard

Audience: General / adult, Tertiary education

DIMENSIONS

Width: 189.0mm

Height: 246.0mm

Weight: 550g

Pages: 210

About the Author

Peter Bjerregaard holds a PhD in anthropology and works as program manager at Danish Museum for Science and Technology. Until recently he was senior adviser of exhibitions at Museum of Cultural History, University of Oslo. His recent interest has been on exhibitions as a particular mode of research and in developing experimental approaches to exhibition-making that allow research to materialize in non-textual forms. He has been project leader and curator for a number of exhibitions, among them COLLAPSE – human being in an unpredictable world and Letting go. Together with Anders Emil Rasmussen and Tim Flohr SΓΈrensen, he edited Materalities of Passing: Explorations in Transformation, Transition and Transience (2016).

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