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Digital Fabrication in Interior Design

Body, Object, Enclosure
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Digital Fabrication in Interior Design: Body, Object, Enclosure explores the evolving relationship between traditional craftsmanship and digital fabrication within interior design. It examines experimental prototyping and integrated technology across three scales: the body, objects, and enclosures. Featuring contributions from international experts, the book highlights the interdisciplinary nature of contemporary interior design by merging conventional crafts with advanced digital methods.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for interior design students and practitioners seeking to deepen their understanding of digital fabrication's role in modern interiors and to expand design theory and practical workflows.

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Digital Fabrication in Interior Design: Body, Object, Enclosure draws together emerging topics of making that span primary forms of craftsmanship to digital fabrication in order to theoretically and practically analyze the innovative and interdisciplinary relationship between digital fabrication technology and interior design.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Digital Fabrication in Interior Design: Body, Object, Enclosure draws together emerging topics of making that span primary forms of craftsmanship to digital fabrication in order to theoretically and practically analyse the innovative and interdisciplinary relationship between digital fabrication technology and interior design. The history of making in interior design is aligned with traditional crafts, but a parallel discourse with digital fabrication has yet to be made evident.

This book repositions the praxis of experimental prototyping and integrated technology to show how the use of digital fabrication is inherent to the interior scales of body, objects and enclosure. These three scales act as a central theme to frame contributions that reinforce the interdisciplinary nature of interior design and reinterpret traditional crafts by integrating new methods of making into conventional workflows. Featuring significant international practitioners and researchers, the selected contributions represent the ever-increasing interdisciplinary nature of design, demonstrating a breadth of disciplines.

A foundational text for interiors students and practitioners, Digital Fabrication in Interior Design expands the necessary dialogue about digital fabrication at the scale of interiors to inform design theory and practice.

Book Details

INFORMATION

ISBN: 9780367458812

Publisher: Taylor & Francis Ltd

Format: Paperback / softback

Date Published: 05 November 2021

Country: United Kingdom

Imprint: Routledge

Illustration: 208 Halftones, color; 208 Illustrations, color

Contributors:

  • Edited by Jonathon Anderson
  • Edited by Lois Weinthal

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Width: 178.0mm

Height: 254.0mm

Weight: 800g

Pages: 266

About the Author

Jonathon Anderson is the Associate Chair and an Associate Professor of Interior Design at Ryerson University in Toronto, Canada. Additionally, Jonathon serves as the Director of The Creative School Design + Technology Lab. He holds a Master of Fine Arts in Furniture Design from Savannah College of Art & Design and a Bachelor of Science in Architecture from Southern Illinois University. His work explores how industrial manufacturing, robotics and CNC technologies influence the design and making processes. As a result, the work is characterized by innovative and explorative methods that result in interconnected design, fine art and technology solutions. From this non-traditional process emerges a provocative, complex design language that visually communicates at varied scales and emphasizes corporeal and phenomenological experiences. To Jonathon, making is not only a practice but a form of critical thinking.

Lois Weinthal is Chair of Interior Design at The Creative School and Professor at Ryerson University in Toronto, Canada. Her research and practice investigate the relationship between architecture, interiors, clothing and objects resulting in works that take on an experimental nature. Her teaching explores these topics where theoretical discussions in seminars are put into practice in the design studio. She is the editor of Toward a New Interior: An Anthology of Interior Design Theory, co-editor of After Taste: Expanded Practice in Interior Design, and co-editor of The Handbook of Interior Architecture and Design. Lois has received grants from the Graham Foundation, Fulbright, SSHRC and DAAD, and has exhibited and lectured nationally and internationally. Previously, she was Director of the Interior Design Program at Parsons The New School for Design and Graduate Advisor for the Master of Interior Design Program at The University of Texas at Austin. Lois studied architecture at Cranbrook Academy of Art and the Rhode Island School of Design. She currently holds the position of Honorary Professor at the Glasgow School of Art.

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