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Diadem: Selected Poems

Selected Poems
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( 88 ratings, 21 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Diadem: Selected Poems showcases the distinctive and surreal voice of Marosa di Giorgio, a seminal figure in Latin American poetry. Her poems intertwine fable-like narratives with themes of childhood, the Uruguayan countryside, and the sacred, creating dreamlike and ultra-real landscapes. Translated by Adam Giannelli, this collection offers English readers a carefully chosen selection spanning di Giorgio's extensive career, revealing her unique blend of magical realism and pastoral imagery.
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Format: Paperback / softback
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Diadem: Selected Poems is ideal for readers of surreal poetry, Latin American literature enthusiasts, and those who appreciate magical realism and evocative explorations of nature and childhood. Fans of poets like Franz Kafka, Julio Cortázar, Russell Edson, and Charles Simic will find her unique voice compelling.

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Selected poems by one of the most distinct and recognizable voices in Latin American poetry. Surreal, fable-like prose poems.

• 100 galleys will be mailed to reviewers and media 3-4 months prior to publication.
• 100 finished books will be mailed out to review outlets.
• Extensive promotion through BOA's website, blog, Facebook, Twitter, e-blasts, e-postcards, print newsletter, and print catalogs.
• Print ad in Poets & Writers magazine.
• A grant from the Lannan Foundation will allow for additional buy-ins through CBSD.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Marosa di Giorgio has one of the most distinct and recognisable voices in Latin American poetry. Her surreal and fable-like prose poems invite comparison to Franz Kafka, Julio Cortázar, or even contemporary American poets Russell Edson and Charles Simic. But di Giorgio's voice, imagery, and themes—childhood, the Uruguayan countryside, a perception of the sacred—are her own.

Previously written off as "the mad woman of Uruguayan letters," di Giorgio's reputation has blossomed in recent years. Translator Adam Giannelli's careful selection of poems spans the enormous output of di Giorgio's career to help further introduce English-language readers to this vibrant and original voice.

Diadem: Selected Poems highlights this remarkable transformation and offers readers a window into di Giorgio's unique perspective. Marosa di Giorgio was born in Salto, Uruguay, in 1932. Her first book, Poemas, was published in 1953. Also a theatre actress, she moved to Montevideo in 1978, where she lived until her death in 2004.

Series: Lannan Translations Selection Series

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  • Diadem: Selected Poems
    Marosa di Giorgio has one of the most distinct and recognisable voices in Latin American poetry. Her surreal and fable-like prose poems invite comparison to Franz Kafka, Julio Cortázar, or even contemporary American poets Russell Edson and Charles Simic. But di Giorgio's voice, imagery, and themes—childhood, the Uruguayan countryside, a perception of the sacred—are her own. Previously written off as...
    Paperback
    $3499
    Available
    Ships in 4-6 weeks

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Critics note di Giorgio as one of Uruguay's most original poetic voices, likening her surreal and visionary style to the likes of Lautreamont and praising her as a brilliant innovator in Latin American literature. The Journal of Latin American Cultural Studies highlights her as a writer both celebrated and misunderstood, with her 'visionary escapism' sometimes leading to marginalisation. The Double Room Journal emphasises her 'earthy celebrations of pastoral Uruguay' and effectiveness in evoking childhood innocence alongside complex emotional thresholds. Overall, her lucid prose suits the dreamlike qualities of her work.

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Book Details

INFORMATION

ISBN: 9781934414972

Publisher: BOA Editions, Limited

Format: Paperback / softback

Date Published: 29 November 2012

Country: United States

Imprint: BOA Editions, Limited

Illustration: Illustrations

Contributors:

  • Translated by Adam Giannelli

Audience: General / adult

DIMENSIONS

Width: 152.0mm

Height: 228.0mm

Weight: 269g

Pages: 170

About the Author

Marosa di Giorgio was born in Salto, Uruguay, in 1932. Descended from Italian immigrants of Tuscan origin, she and her sister Nidia were raised as Catholics in the countryside. She published her first book, Poemas, in 1953. In the 1950s and 60s she worked in the theater and participated as an actress in almost thirty productions. Later, drawing on her background in theater, she gave dramatic recitals of her poems. In 1978, after the death of her father, the family relocated to Montevideo, where she lived until she died of cancer in 2004. She never married or had children. Like Walt Whitman, di Giorgio expanded the same work throughout her career: Los Papeles Salvajes (The Wild Papers, 2008), her collected poetry, which unites fourteen books. Since her poems inhabit the same imaginative world, they can be read as one long meditation, which di Giorgio described as a forest in which she planted more trees. In 2008, Adriana Hidalgo, an editorial house in Buenos Aires, published the collection in one single volume. di Giorgio also composed three books of erotic tales--Misales (1993), Camino de las pedrerias (1997), Rosa mistica (2003)--and a novel, Reina Amelia (1999). Her final book, La flor de lis (2004), which combines prose poems with longer narratives, completed shortly before her death, synthesizes her life's work. She received several awards throughout her career, including a Fulbright Scholarship and First Prize in the International Poetry Festival in Medellin in 2001, and was invited to travel as far as France to give recitals of her poetry. Translator Adam Giannelli is a graduate of Oberlin College and the University of Virginia, where he was a Hoyns Fellow. His poems and translations of Spanish and Italian poetry have appeared or are forthcoming in New England Review, Kenyon Review, Field, Southwest Review, Quarterly West, Colorado Review, Two Lines, Pleiades, The FSG Book of Twentieth-Century Italian Poetry, and elsewhere. He is the editor of a book of critical essays: High Lonesome: On the Poetry of Charles Wright (Oberlin CP, 2006). He has been nominated for a Pushcart Prize, and has received fellowships from the Sewanee Writers' Conference, Virginia Center for the Creative Arts, Ucross Foundation, and the Djerassi Resident Artists Program.

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