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Design Studio Vol. 3: Designs on History

The Architect as Physical Historian
Series: Design Studio
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Design Studio Vol. 3: Designs on History explores the notion that every architectural design creates a new history. It emphasises the importance of understanding the present, past, and future to recognise novelty and innovation in design. The book presents history not only as words but also through drawings, materials, and landscapes, reflecting how designs physically embody stories. Renowned international contributors examine how historical insight drives creativity, showing how architects borrow from various disciplines and each other to craft narratives about history within their work. The volume covers diverse themes including memory, time, civilisation, and racial segregation, enriching contemporary architectural discourse.
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Format: Paperback / softback
$7299
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This volume will appeal to professionals and students in architecture and design, as well as readers interested in arts and cultural history. It suits those seeking a deeper understanding of how history informs architectural creativity and innovation.

Book Hero thinking about your next read

Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future. We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Each architectural design is a new history.

To identify what is novel or innovative, we need to consider the present, past and future.

We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil.

The aim of this volume is to understand each design as a visible and physical history. Historical understanding is investigated as a stimulus to the creative process, highlighting how architects learn from each other and other disciplines. This encourages us to consider the stories about history that architects fabricate.

An eminent set of international contributors reflect on the relevance of historical insight for contemporary design, drawing on the rich visual output of innovative studios worldwide in practice and education.

Wide ranging and thought-provoking articles encompass fact, fiction, memory, time, etymology, civilisation, racial segregation and more.

Features: Elizabeth Dow, Pezo von Ellrichshausen, Terunobu Fujimori, Perry Kulper, Lesley Lokko, Yeoryia Manolopoulou, Niall McLaughlin, Aisling Oโ€™Carroll, Arinjoy Sen, Amin Taha and Sumayya Vally.

Design Studio Vol. 3: Designs on History invites readers to engage with architectural history through a creative and interdisciplinary lens.

Series: Design Studio

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  • Collective Action!
    Buildings cannot be built without people working together. Architects collaborate with other disciplines, other architects and even with the public. These collaborations take place every day, across multiple planning and design stages. Small or emerging practices often suffer from a lack of resources, but what if we pooled our collective resources, sharing knowledge and experiences? Collaborative architecture begins in the...
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  • Design Studio Vol. 2: Intelligent Control 2021
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  • Design Studio Vol. 3: Designs on History
    Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future. We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The aim of this volume is to understand each design as a visible...
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  • Design Studio Vol. 4: Working at the Intersection
    Without environmental justice, there can be no social justice. The critical symptoms of human suffering, climate collapse, and animal maltreatment are now global and far-reaching. Despite their interdependence, the treatment of these afflictions remains disconnected. What follows are policy and design decisions that fail to tackle the problems collectively. Exposing the narrow perspectives that dominate architectural discourse and practice, this...
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  • Design Studio Vol. 5: Experimental Realism
    The experimental provides architects with a vital means to test ideas and the untried. Like authors and artists, architects harness the power of fiction to explore alternative models of society and push the boundaries of the possible. Though these imaginings can be influential aesthetically, like the prisons of Piranesi or the cities of Lebbeus Woods, they remain largely confined to...
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  • Full Spectrum
    Colour is architectureโ€™s sharpest tool in the box. It has indexed everything from the feminine, cosmetic and vulgar to the pure, intrinsic and embodied. Attitudes to colour are constantly shifting. They have played a central role in the history of architecture: from the polychromy of the ancients to the great white interiors of high modernism; the figurative flourishes of postmodernism...
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Book Details

INFORMATION

ISBN: 9781859469729

Publisher: RIBA Publishing

Format: Paperback / softback

Date Published: 01 November 2021

Country: United Kingdom

Imprint: RIBA Publishing

Contributors:

  • Edited by Jonathan Hill

Audience: Professional and scholarly

DIMENSIONS

Width: 210.0mm

Height: 250.0mm

Weight: 250g

Pages: 144

About the Author

Jonathan Hill is Professor of Architecture and Visual Theory at The Bartlett School of Architecture, UCL, where he directs the MPhil/PhD Architectural Design programme and tutors MArch Unit 12. Jonathan is the author of The Illegal Architect (1998), Actions of Architecture (2003), Immaterial Architecture (2006), Weather Architecture (2012), A Landscape of Architecture, History and Fiction (2016), and The Architecture of Ruins (2019); editor of Occupying Architecture (1998) and Architecture โ€“ the Subject is Matter (2001); and co-editor of Critical Architecture (2007).

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