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Crossing the Sea

Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Crossing the Sea is a collection of original essays by thirteen students of Yoshiaki Shimizu, a leading scholar of Japanese art history. The essays explore a wide range of topics from premodern Buddhist, narrative, and ink painting to modern and contemporary Japanese art, prints, and popular visuals. The volume honours Shimizu's extensive career as a teacher and curator, offering innovative research and fresh interpretations of significant works within their historical, religious, and cultural settings, while also presenting a comprehensive view of contemporary Japanese art studies.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for scholars, students, and enthusiasts of Japanese art history seeking advanced insights into both traditional and modern visual cultures of Japan and East Asia.

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Ranging in topic from premodern Buddhist, narrative, and ink painting in Japan and East Asia to modern and contemporary Japanese painting, prints, and popular visual images, this title includes essays containing research which draws attention to the works of Japanese art and their historical contexts and modern interpretations.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Yoshiaki Shimizu, one of the foremost scholars of Japanese art history, taught at Princeton University for more than twenty-five years, during which time he trained many students who have become respected professors and museum professionals.

Crossing the Sea gathers original essays by thirteen of these students, in honour of Shimizu's extraordinary career at Princeton, as well as his teaching at other institutions and his work as curator of Japanese art at the Freer-Sackler Gallery in Washington, D.C.

Ranging in topic from premodern Buddhist, narrative, and ink painting in Japan and East Asia to modern and contemporary Japanese painting, prints, and popular visual images, these essays present innovative research that draws attention to remarkable works of Japanese art and their fascinating historical contexts and modern interpretations.

Including reinterpretations of well-known works and richly developed accounts of their meaning and function in historical, religious, and cultural contexts, this volume also provides a state-of-the-field portrait of Japanese art studies today.

Series: Publications of the Tang Center for East Asian Art, Princeton University

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  • Crossing the Sea
    Yoshiaki Shimizu, one of the foremost scholars of Japanese art history, taught at Princeton University for more than twenty-five years, during which time he trained many students who have become respected professors and museum professionals. Crossing the Sea gathers original essays by thirteen of these students, in honour of Shimizu's extraordinary career at Princeton, as well as his teaching at...
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Book Details

INFORMATION

ISBN: 9780691156538

Publisher: Princeton University Press

Format: Hardback

Date Published: 06 January 2013

Country: United States

Imprint: Princeton University Press

Illustration: 120 color illus. 24 halftones.

Contributors:

  • Edited by Gennifer Weisenfeld
  • Edited by Gregory Levine
  • Edited by Andrew M. Watsky

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Width: 216.0mm

Height: 279.0mm

Weight: 1814g

Pages: 336

About the Author

Gregory P. A. Levine is associate professor of Japanese art and architecture and Buddhist visual cultures at the University of California, Berkeley. He is the author of "Daitokuji: The Visual Cultures of a Zen Monastery". Andrew M. Watsky is professor of Japanese art history at Princeton University. He is the author of "Chikubushima: Deploying the Sacred Arts in Momoyama Japan". Gennifer Weisenfeld is associate professor of modern Japanese art history and visual culture at Duke University. She is the author of "Mavo: Japanese Artists and the Avant-Garde, 1905-1931".

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