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Classicisms

Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Classicisms challenges the traditional view of classicism as a fixed, rigid aesthetic ideal based on order, reason, and decorum. Through essays by interdisciplinary scholars, it reveals classicism to be a dynamic and contested concept that has evolved from antiquity to the twentieth century. The book accompanies an exhibition featuring seventy objects from the Smart Museum of Art and other institutions, exploring classicism across history, media, and themes, including contemporary race relations. Richly illustrated, it offers a nuanced and colourful investigation of classicism as a versatile and sometimes subversive stylistic and ideological category.
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Format: Paperback / softback
$5699
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for readers interested in arts, culture, art history, and interdisciplinary studies, as well as those fascinated by how classical aesthetics continue to influence and provoke debate across time and society.

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"Published on the occasion of the exhibition Classicisms, curated by Larry F. Norman and Anne Leonard, organized by the Smart Museum of Art, the University of Chicago, and presented February 16, 2017-June 11, 2017"--Colophon.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable concept—throughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends.

With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions.

With its impressive historical and conceptual reach—from ancient literature to contemporary race relations and beyond—this colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category.

Classicisms is a must-read for anyone interested in the evolving narrative of classicism and its impact across diverse fields.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

"This delightfully iconoclastic exhibition asserts that for all its associations with ideals of reason, stability, and timelessness, classicism just as readily merits appreciation for its multiplicity, flexibility, and disruptive capacities. The show breaks rank with an enduring conception of the classical as marking the transmission from on high of a powerfully continuous tradition." – CAA Reviews

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Book Details

INFORMATION

ISBN: 9780935573572

Publisher: The University of Chicago Press

Format: Paperback / softback

Date Published: 15 February 2017

Country: United States

Imprint: University of Chicago,David & Alfred Smart Museum,US

Contributors:

  • Edited by Anne Leonard
  • Edited by Larry F. Norman
  • Edited by Larry F. Norman

Audience: Professional and scholarly

DIMENSIONS

Spine width: 2.0mm

Width: 20.0mm

Height: 28.0mm

Weight: 822g

Pages: 184

About the Author

Larry F. Norman is the Frank L. Sulzberger Professor in the Department of Romance Languages and Literatures at the University of Chicago. Anne Leonard is curator and associate director of academic initiatives at the Smart Museum of Art, as well as a lecturer in the Department of Art History at the University of Chicago.

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