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Call Me by Your Name

Perspectives on the Film
Brief Description
This edited collection explores how Luca Guadagnino's film Call Me by Your Name speaks powerfully to questions of contemporary sexual identity and romance. Adapted by James Ivory from André Aciman's novel and directed by Luca Guadagnino, the film Call Me by Your Name has been passionately... Read More
Format: Hardback
$28599
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Enthusiastically received since its 2017 release, Luca Guadagnino's film Call Me by Your Name tells the love story between seventeen-year-old Elio and graduate student Oliver. This edited collection explores how the film speaks powerfully to questions of contemporary sexual identity and romance. 35 b&w illus.

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This edited collection explores how Luca Guadagnino's film Call Me by Your Name speaks powerfully to questions of contemporary sexual identity and romance.

Adapted by James Ivory from André Aciman's novel and directed by Luca Guadagnino, the film Call Me by Your Name has been passionately received among audiences and critics ever since its 2017 release. A love story between seventeen-year-old Elio (Timothée Chalamet) and graduate student Oliver (Armie Hammer), and set in 1983 "somewhere in northern Italy", Call Me by Your Name presents a gay relationship in a romantic idyll seemingly untroubled by outside pressures, prejudices, or tragedy.

While this means it offers audiences welcome opportunities to swoon in front of an LGBTQ+ romance that equals classic heterosexual romances onscreen, its relevance or political significance today may not be immediately apparent. This edited collection points out the ways in which the film is abundantly infused with narrative, thematic, and stylistic elements that can be interpreted as speaking powerfully to contemporary audiences on questions of sexual identity.

How does this love story explore wider tensions that exist between the specific and the general, between the open and the hidden, and between the past and the present? The contributors to this collection provide stimulating and contemplative responses to this question.

Series: Trajectories of Italian Cinema and Media

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    What the stardom of Mina says about contemporary Italian society. The Many Meanings of Mina explores the fascinating career of Mina, born Anna Maria Mazzini, an Italian popular music icon whose sixty-year career has come to represent a range of diverse meanings. She is one of the best-loved popular music stars in Italy and abroad, maintaining a large fan base...
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  • Call Me by Your Name
    This edited collection explores how Luca Guadagnino's film Call Me by Your Name speaks powerfully to questions of contemporary sexual identity and romance. Adapted by James Ivory from André Aciman's novel and directed by Luca Guadagnino, the film Call Me by Your Name has been passionately received among audiences and critics ever since its 2017 release. A love story between...
    Hardback
    $28599
    Available
    Ships in 3-4 weeks
  • Women's Work in Post-war Italy
    A vivid, engaging, and cross-disciplinary account of women's work in postwar Italy. Women's Work in Post-War Italy explores women's labour following World War II and Italy's new republic. War and national reconstruction have typically been framed as masculine undertakings in Italy. However, Flora Derounian shifts that frame to investigate the labour that Italian women were undertaking during this critical time...
    Hardback
    $25799
    Available
    Ships in 3-4 weeks

Book Details

INFORMATION

ISBN: 9781789389425

Publisher: Intellect

Format: Hardback

Date Published: 16 October 2024

Country: United Kingdom

Imprint: Intellect Books

Illustration: 7 Tables, black and white; 37 Halftones, black and white

Contributors:

  • Edited by Michael Williams
  • Edited by Michael Williams
  • Edited by Edward Lamberti
  • Edited by Michael Williams

Audience: Tertiary education

DIMENSIONS

Width: 170.0mm

Height: 244.0mm

Weight: 250g

Pages: 358

About the Author

Edward Lamberti is the author of Performing Ethics through Film Style: Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader (Edinburgh University Press, 2019) and the editor of Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age (BFI/Palgrave, 2012; longlisted for the 2013 Kraszna-Krausz Book Award for Best Moving Image Book). He has a Ph.D. in Film Studies Research from King’s College London and he works at the BBFC.

Michael Williams is Professor in Film at the University of Southampton. He is author of Film Stardom and the Ancient Past: Idols, Artefacts and Epics (Palgrave Macmillan, 2018) and Film Stardom, Myth and Classicism: The Rise of the Hollywood Gods (2013). He has widely published on stardom and with a particular focus on queer imagery and reception, and is also author of Ivor Novello: Screen Idol (BFI, 2003) and co-editor of British Silent Cinema and the Great War (Palgrave Macmillan, 2011).

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