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Black and White

Cinema, politics and the arts in Zimbabwe
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Black and White by Agnieszka Piotrowska offers a unique exploration of Zimbabwe's contemporary arts scene, focusing on the Harare International Festival of the Arts and local cinema. Combining theory with literature, film, politics and culture, the book uses a psychosocial and psychoanalytic lens to examine trauma, post-colonialism and identity. Piotrowska’s personal experiences working with Zimbabwean artists and filmmakers provide rich insight into their creative impact on community and media, while also questioning patriarchal and colonial notions of belonging.
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Format: Hardback
$42300
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Aimed at psychoanalysts, psychotherapists, filmmakers, scholars and students of post-colonial, film, cultural and psychosocial studies, Black and White offers interdisciplinary appeal to those interested in trauma, identity and contemporary African arts.

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Piotrowska presents a unique, interdisciplinary insight into the contemporary arts scene in Zimbabwe.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

In Black and White, Agnieszka Piotrowska presents a unique insight into the contemporary arts scene in Zimbabwe – an area that has received very limited coverage in research and the media. The book combines theory with literature, film, politics and culture and takes a psychosocial and psychoanalytic perspective to achieve a truly interdisciplinary analysis.

Piotrowska focuses in particular on the Harare International Festival of the Arts (HIFA) as well as the cinema, featuring the work of Rumbi Katedza and Joe Njagu. Her personal experience of time spent in Harare, working in collaborative relationships with Zimbabwean artists and filmmakers, informs the book throughout. It features examples of their creative work on the ground and examines the impact it has had on the community and the local media. Piotrowska uses her experiences to analyse concepts of trauma and post-colonialism in Zimbabwe and interrogates her position as a stranger there, questioning patriarchal notions of belonging and authority. Black and White also presents a different perspective on convergences in the work of Doris Lessing and iconic Zimbabwean writer Dambudzo Marechera, and how it might be relevant to contemporary race relations.

Black and White will be intriguing reading for psychoanalysts, psychotherapists and psychotherapeutically engaged scholars, film makers, academics and students of post-colonial studies, film studies, cultural studies, psychosocial studies and applied philosophy.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Stephen Frosh, Professor of Psychology at Birkbeck College, praises the book as a vital intervention into race and sexual politics in culture and film, highlighting Piotrowska’s intense, comic and tragic engagements with Zimbabwean creative work. He calls it an important landmark in the literature on culture and film.

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Book Details

INFORMATION

ISBN: 9781138817852

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 11 October 2016

Country: United Kingdom

Imprint: Routledge

Illustration: 21 Halftones, black and white

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Width: 156.0mm

Height: 234.0mm

Weight: 600g

Pages: 220

About the Author

Dr Agnieszka Piotrowska is an acclaimed theorist and an award winning documentary filmmaker, who uses psychoanalysis and philosophy alongside her creative practice research. Her current work, both practice and theory, focuses on post-colonial relationships in Zimbabwe and includes an internationally acclaimed documentary film, Lovers in Time or How We Didn’t Get Arrested in Harare. She is the author of Psychoanalysis and Ethics in Documentary Film, editor of Embodied Encounters: New Approaches to Psychoanalysis and Cinema, and co-editor of Psychoanalysis and the Unrepresentable, all published by Routledge. She is a Reader in Film Theory and Practice at the University of Bedfordshire, UK.

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