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Behind the Lens

Dispatches from the Cinematographic Trenches
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Behind the Lens: Dispatches from the Cinematic Trenches by Jay Holben is a comprehensive collection of nearly 100 articles chronicling his extensive experience in filmmaking. It covers vital topics such as camera technology, lenses, lighting techniques, and tips for enhancing digital motion imaging work. Ideal for creators of independent films, commercials, documentaries, music videos, and more, this full-colour volume delivers practical advice and technical insights from an industry veteran.
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Format: Hardback
$37600
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is perfect for filmmakers, videographers, and digital imaging enthusiasts seeking to deepen their knowledge of cinematography and improve their craft through technical expertise and practical lighting and camera techniques.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Filmmaker Jay Holben has been battling in the production trenches for most of his life. For the past 17 years, he’s chronicled his adventures in the pages of American Cinematographer, Digital Video, Videography, and TV Technology. Now, in Behind the Lens: Dispatches from the Cinematic Trenches, he’s compiled nearly 100 of his best articles on everything from camera technology and lenses to tips and techniques for better lighting. Whether you’re making independent films, commercials, music videos, documentaries, television shows, event videos, or industrials, this full colour collection provides the tools you need to take your work to the next level and succeed in the world of digital motion imaging.

Featured topics include:

Tech, including the fundamentals of how digital images are formed and how they evolved to match the look of a film, as well as image compression and control.

Optics, providing a thorough examination of lenses and lens interchangeability, depth of field, filters, flare, quality, MTF, and more.

Cameras, instructing you in using exposure tools, ISO, white balance, infrared, and stabilizers.

Lighting, featuring advice on using lighting sources and fixtures and how to tackle common lighting problems.

Additional tips and tricks cover improving audio, celestial photography, deciding if film school is right for you, and much more.

For over a decade, Jay Holben has worked as a director of photography in Los Angeles on features, commercials, television shows, and music videos. He is a former technical editor and frequent contributing writer for American Cinematographer, the current technical editor and columnist for Digital Video, and the lighting columnist for TV Technology. The author of A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben is also on faculty for the Global Cinematography Institute. He is now an independent producer and director.

Book Details

INFORMATION

ISBN: 9781138813472

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 11 September 2015

Country: United Kingdom

Imprint: Routledge

Illustration: 352 Illustrations, color

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Width: 191.0mm

Height: 235.0mm

Weight: 1111g

Pages: 466

About the Author

For over a decade Jay Holben has worked as a director of photography in Los Angeles on features, commercials, television shows, and music videos. He is a former technical editor and frequent contributing writer for American Cinematographer, for seven years he served as technical editor and columnist for Digital Video and currently writes a lighting column for TV Technology. The author of A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben is also on faculty for the Global Cinematography Institute. He is now an independent producer and director.

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