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Babylon Berlin, German Visual Spectacle, and Global Media Culture

Series: Visual Cultures and German Contexts
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Brief Description
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture. Since its inception in 2017, the series, a neo-noir thriller set in Berlin in the final years of the Weimar Republic, has reached audiences throughout... Read More
Format: Paperback / softback
$10700

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The first book to address the blockbuster television show Babylon Berlin, this volume of analytical essays provides a foundational resource for those who view, teach, and/or study the series.

The first book to address the blockbuster television show Babylon Berlin, this volume of analytical essays provides a foundational resource for those who view, teach, and/or study the series.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture.

Since its inception in 2017, the series, a neo-noir thriller set in Berlin in the final years of the Weimar Republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations, Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital.

Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts—Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts—the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture.

Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes.

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  • Babylon Berlin, German Visual Spectacle, and Global Media Culture
    Babylon Berlin, German Visual Spectacle, and Global Media Culture
    The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture. Since its inception in 2017, the series, a neo-noir thriller set in Berlin in the final years of the Weimar Republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular...
    Paperback
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Book Details

INFORMATION

ISBN: 9781350370050

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 07 March 2024

Country: United Kingdom

Imprint: Bloomsbury Visual Arts

Illustration: 20 bw illus

Contributors:

  • Edited by Hester Baer
  • Edited by Jill Suzanne Smith

Audience: Tertiary education

DIMENSIONS

Spine width: 14.0mm

Width: 152.0mm

Height: 232.0mm

Weight: 595g

Pages: 272

Collections

Arts & Culture Education & Reference Non-Fiction Series: Visual Cultures and German Contexts

About the Author

Hester Baer is Professor of German and Cinema & Media Studies at the University of Maryland, USA. She is the author of Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language (2009), German Cinema in the Age of Neoliberalism (2021), and a volume for the series German Film Classics on Ula Stöckl’s The Cat Has Nine Lives (2022). She currently serves as co-editor of The German Quarterly.

Jill Suzanne Smith is Associate Professor of German and a contributing faculty member in Cinema Studies, Gender, Sexuality, and Women’s Studies, and Urban Studies at Bowdoin College, USA. She is the author of Berlin Coquette: Prostitution and the New German Woman 1890-1933 (2013) and a volume editor for the Bloomsbury series A Cultural History of Prostitution.

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