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Ash Glazes
Techniques and Glazing from Natural Sources
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Format: Hardback
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Ash Glazes
$4999
Unit price
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Unavailable
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for practising potters, ceramicists, craft enthusiasts, and students eager to deepen their knowledge of natural glaze techniques and sustainable craft practices.
This guide first sketches the history of ash glazes. It then discusses the practicalities of collecting and testing wood ashes, how to make them into glazes and then use them to glaze your pots. It also looks at a group of international artists who use ash glazes on their work.
Fully updated and revised, with new photographs and glaze recipes, this is the third edition of this classic guide to ash glazes.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
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Description
Fully updated and revised, with new photographs and glaze recipes, this is the third edition of this classic guide to ash glazes.
Forever curious and eager to learn new things about ceramics, Phil Rogers constantly tinkered with clay bodies, glaze formulae and approaches to firing. This volume is his seminal work on transforming ash into glaze: an essential text for all potters and ceramicists with additional relevance today with its focus on prioritising the use of natural resources.
Ash Glazes examines the practicalities of collecting and testing wood ashes, demonstrates the process of making them into glazes and offers a step-by-step guide to using them to decorate your pots.
This edition, updated and revised by Hajeong Lee Rogers, is a celebration of pottery at its best. Starting with an introduction to the history of ash glazes, then moving on to a wide range of practical advice and methods, the book is enlivened by photographs of the work of potters from around the world, who use ash in colourful and imaginative ways. It provides true inspiration for working potters and delight for all those interested in contemporary ceramics.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
The most useful and definitive guide to the various uses of wood ashes in glaze application, praises Mike Dodd. Mark Hewitt celebrates the updates as a fitting tribute to Phil and Hajeong's contributions. Westcountry Potters applaud it as the definitive choice for both introducing the topic and encouraging experimentation, while the Midlands Potters Association highlights its role in inspiring potters and supporting the resurgence of ceramics in British culture.
Book Details
INFORMATION
ISBN: 9781789940947
Publisher: Bloomsbury Publishing PLC
Format: Hardback
Date Published: 31 August 2023
Country: United Kingdom
Imprint: Herbert Press Ltd
Edition: 3rd edition
Illustration: 220 colour images throughout
Contributors:
- Foreword by Revd Richard Coles
- Introduction by Mike Dodd
- Volume editor Hajeong Lee Rogers
Audience: General / adult, Professional and scholarly
DIMENSIONS
Spine width: 16.0mm
Width: 224.0mm
Height: 282.0mm
Weight: 1040g
Pages: 192
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About the Author
Phil Rogers was one of Britain’s leading potters and advocates for his craft. From his studio near Rhayader in Powys, Wales, he created work that drew on eclectic styles, from medieval German salt-glazed wares to 15th-century Korean porcelain. A passionate promoter of the use of natural materials in glazes, he is widely regarded as one of the giants of UK ceramics. His work is held by museums around the world, including the V&A, the British Museum and the Museum of Modern Ceramic Art in Japan.
Hajeong Lee Rogers grew up in South Korea where she later studied crafts at Sungshin Women’s University and won the National Award for Craft Art in 2005 for a large ceramic sculpture. Hajeong joined her husband Phil Rogers in Wales in 2011 and started working in her own studio, making tableware with a fusion of traditional Korean techniques and patterns influenced by William Morris. Her work is included in the Reeves Collection, Washington and Fitzwilliam Museum, Cambridge.
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