Anti-Portraiture
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Anti-Portraiture
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to provide a visual or psychological likeness or an expression of personal, familial, or social identity; it was typically associated with the privileged individual subject of Western modernity. Recent scholarship in the humanities and social sciences, however, has responded to the complex nature of twenty-first-century subjectivity and proffered fresh conceptual models and theories to analyse it.
The contributors to Anti-Portraiture examine subjectivity via a range of media, including sculpture, photography, and installation, and make a convincing case for an expanded definition of portraiture. By offering a timely reappraisal of the terms through which this genre is approached, the chapter authors volunteer new paradigms in which to consider selfhood, embodiment, and representation. In doing so, they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Choice praises the book for its examination of conceptual and experimental portraits that prioritise symbolic meaning over physical appearance. Anne Collins Goodyear highlights the anthology's nuanced discussion on the politics of portraiture, noting its resilience and adaptability in response to new media and cultural questions.
Book Details
INFORMATION
ISBN: 9781350284197
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 30 June 2022
Country: United Kingdom
Imprint: Bloomsbury Visual Arts
Illustration: 20 bw illus
Contributors:
- Edited by Fiona Johnstone
- Edited by Kirstie Imber
Audience: Tertiary education
DIMENSIONS
Width: 156.0mm
Height: 234.0mm
Weight: 250g
Pages: 232
Collections
About the Author
Fiona Johnstone is an art historian, researcher and lecturer, specialising in the modern and contemporary period, with a focus on the intersections between art and visual culture and the medical humanities. She is Associate Lecturer in Cultural & Contextual Studies (Photography) at Middlesex University, UK. She has also worked at Durham University, the University of Warwick, Imperial College London, University of the West of England, University of the Arts London and Birkbeck, University of London, UK.
Kirstie Imber is Sessional Lecturer in the History of Art & Screen Media at Birkbeck, University of London, UK, where she was previously Associate Research Fellow. Her research interests include the censorship of art, the intersection of law and cultural practices in the UK, and contemporary Iranian art.
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