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Acting (Re)Considered
A Theoretical and Practical Guide
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Format: Hardback
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Essential reading for students, practitioners and scholars of theatre and performance studies seeking a deep and varied understanding of acting theory and practice.
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See moreThis is a wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. It includes discussions by or about major figures who have shaped theories and practices of acting and performance from the late 19th century to the present.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
feedback is welcome!
Description
Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present.
The essays—by directors, historians, actor trainers and actors—bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches.
It includes discussions of such key topics as:
- how we think and talk about acting
- acting and emotion
- the actor's psychophysical process
- the body and training
- the actor in performance
- non-Western and cross-cultural paradigms of the body, training and acting
Acting (Re)Considered is vital reading for all interested in performance.
Book Details
INFORMATION
ISBN: 9780415262996
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 24 October 2002
Country: United Kingdom
Imprint: Routledge
Edition: 2nd edition
Contributors:
- Edited by Phillip B. Zarrilli
Audience: Tertiary education
DIMENSIONS
Width: 174.0mm
Height: 246.0mm
Weight: 930g
Pages: 416
Collections
About the Author
Phillip B. Zarrilli is internationally known for training actors in psychophysical process through Asian martial/mediation arts, and as a director. He is the author of numerous books and essays including: When the Body Becomes All Eyes (1998); Kathakali Dance-Drama: Where Gods and Demons Come to Play (1999); a co-author of Indian Theatre: Traditions of Performance and the editor of Asian Martial Arts in Actor Training.
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