A Programme of Absolute Disorder
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A Programme of Absolute Disorder
A call to end the Western museum
'A complete overhaul of the Western museum tradition.' - Publishers Weekly
The Western museum is a battleground - a terrain of ideological, political, and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself?
In A Programme of Absolute Disorder, Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage.
Vergès outlines a radical horizon: to truly decolonise the museum is to implement a 'programme of absolute disorder', inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to the dispossessed.
Book Details
INFORMATION
ISBN: 9780745349619
Publisher: Pluto Press
Format: Hardback
Date Published: 20 July 2024
Country: United Kingdom
Imprint: Pluto Press
Illustration: 6 Halftones, black and white
Contributors:
- Translated by Melissa Thackway
- Foreword by Paul Gilroy
Audience: General / adult
DIMENSIONS
Width: 153.0mm
Height: 234.0mm
Weight: 250g
Pages: 224
About the Author
Françoise Vergès is a political scientist, activist, historian, film writer, and public educator. She is the author of A Decolonial Feminism, A Feminist History of Violence and A Programme of Absolute Disorder. She is also a senior research fellow at the Sarah Parker Remond Centre for the Study of Racism and Racialisation, University College London. She lives in Paris. Paul Gilroy is the founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at University College London. He is a renowned sociologist, historian and cultural theorist recognised for his pioneering work on race, Black diaspora and postcolonial culture. He is the author of The Black Atlantic, amongst other classics. Melissa Thackway is an independent researcher and translator. She lectures in African Cinema at Sciences-Po and INALCO in Paris. Her recent translations include A Feminist Theory of Violence by Françoise Vergès, Contemporary African Cinema by Olivier Barlet, Tropical Dream Palaces: Cinema-Going in Colonial West Africa by Odile Goerg and African Diasporic Cinema: Aesthetics of Reconstruction by Daniela Ricci.
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