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A Programme of Absolute Disorder

Decolonizing the Museum
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Brief Description
'A complete overhaul of the Western museum tradition.' - Publishers Weekly The Western museum is a battleground - a terrain of ideological, political, and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the... Read More
Format: Hardback
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A call to end the Western museum

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'A complete overhaul of the Western museum tradition.' - Publishers Weekly

The Western museum is a battleground - a terrain of ideological, political, and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself?

In A Programme of Absolute Disorder, Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage.

Vergès outlines a radical horizon: to truly decolonise the museum is to implement a 'programme of absolute disorder', inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to the dispossessed.

Book Details

INFORMATION

ISBN: 9780745349619

Publisher: Pluto Press

Format: Hardback

Date Published: 20 July 2024

Country: United Kingdom

Imprint: Pluto Press

Illustration: 6 Halftones, black and white

Contributors:

  • Translated by Melissa Thackway
  • Foreword by Paul Gilroy

Audience: General / adult

DIMENSIONS

Width: 153.0mm

Height: 234.0mm

Weight: 250g

Pages: 224

About the Author

Françoise Vergès is a political scientist, activist, historian, film writer, and public educator. She is the author of A Decolonial Feminism, A Feminist History of Violence and A Programme of Absolute Disorder. She is also a senior research fellow at the Sarah Parker Remond Centre for the Study of Racism and Racialisation, University College London. She lives in Paris. Paul Gilroy is the founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at University College London. He is a renowned sociologist, historian and cultural theorist recognised for his pioneering work on race, Black diaspora and postcolonial culture. He is the author of The Black Atlantic, amongst other classics. Melissa Thackway is an independent researcher and translator. She lectures in African Cinema at Sciences-Po and INALCO in Paris. Her recent translations include A Feminist Theory of Violence by Françoise Vergès, Contemporary African Cinema by Olivier Barlet, Tropical Dream Palaces: Cinema-Going in Colonial West Africa by Odile Goerg and African Diasporic Cinema: Aesthetics of Reconstruction by Daniela Ricci.

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