Ulrike Ottinger

She, a woman of high beauty, created like no other to be Medea, Madonna, Iphigenia, Aspasia, decided one sunny winter day to escape her loneliness and to leave La Rotonda. She bought a ticket Aller jamais retour. Berlin Tegel. This is the opening scene of Ulrike Ottinger's momentous 1979 film Ticket of No Return—the woman of high beauty was Tabea...