Tanya Gerstle

How can we effectively apply improvisation to train an ensemble of actors? Where is the method to create physically dynamic staging for text-based contemporary and classical plays? And how can a trainer and a director utilise improvisation to devise new work? The Pulse Approach answers these questions and more, captured here for the first time in a workbook to the...

How can we effectively apply improvisation to train an ensemble of actors? Where is the method to create physically dynamic staging for text-based contemporary and classical plays? And how can a trainer and a director utilise improvisation to devise new work? The Pulse Approach answers these questions and more, captured here for the first time in a workbook to the...