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Club 57

Film, Performance, and Art in the East Village, 1978–1983
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Club 57 offers an in-depth examination of the iconic alternative space located in the basement of a Polish Church at 57 St. Marks Place. Operating from 1978 to 1983, Club 57 was a no-budget venue that became a vital hub in downtown New York for music, film, performance, and art exhibitions. It influenced the spirit of interdisciplinary endeavour in a vibrant countercultural scene characterised by experimentation in art, fashion, and music. The richly illustrated volume complements the first major exhibition on Club 57, featuring rare artworks, photographs, film stills, and ephemeral materials from legendary artists like Keith Haring and Kenny Scharf.
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Format: Hardback
$8500
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This richly detailed book will appeal to readers interested in the history of contemporary art, countercultural movements, and New York's vibrant East Village scene during the late 20th century. It is ideal for fans of interdisciplinary creativity and those fascinated by the origins of alternative art spaces.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

An in-depth examination of the iconic alternative space Club 57.

Located in the basement of a Polish Church at 57 St. Marks Place, Club 57 (1978-83) began as a no-budget venue for music and film exhibitions. It quickly took pride of place in a constellation of countercultural venues in downtown New York, fuelled by low rents, the Reagan presidency and the desire to experiment with new modes of art, performance, fashion, music and exhibition.

A centre of creative activity in the East Village, Club 57 is said to have influenced virtually every club that came in its wake. Published to accompany the first major exhibition to examine the scene-changing, interdisciplinary life of downtown New York's seminal alternative space in full, Club 57: Film, Performance, and Art in the East Village, 1978-1983 taps into the legacy of Club 57's founding curatorial staff. It examines how the convergence of film, video, performance, art and curatorship in the club environment of New York in the 1970s and 1980s became a model for a new spirit of interdisciplinary endeavour.

The richly illustrated publication will feature film and video stills; photographs of Club events and activities; ephemeral documents such as flyers, posters and period zines; and a robust plate section of rarely-seen artwork from the period by the likes of Keith Haring, Kenny Scharf, Tseng Kwong Chi, Kitty Brophy, Fab Five Freddy, Richard Hambleton, Dan Asher, Ellen Berkenblit and John Sex.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

"Opened in 1978, it quickly became a centre for all manner of creative experimentation ... and more than a few important artists emerged from its damp depths." – Lynn Yaeger, Vogue

"The book is a phenomenal achievement in publishing, equal parts art and cultural history." – Sara Rosen, Crave

"The cult club that transformed New York's art world from 1978 to 1983." – Sara Rosen, Huck

Book Hero reading reviews

Book Details

INFORMATION

ISBN: 9781633450301

Publisher: Museum of Modern Art

Format: Hardback

Date Published: 19 October 2017

Country: United States

Imprint: Museum of Modern Art

Illustration: Illustrated in colour and black and white throughout

Audience: General / adult

DIMENSIONS

Width: 228.0mm

Height: 267.0mm

Weight: 1080g

Pages: 184

About the Author

Ron Magliozzi is a Curator in the Department of Film at The Museum of Modern Art, New York. Sophie Cavoulacos is an Assistant Curator in the Department of Film, MoMA. Jim Hoberman is a film writer and journalist based in New York. Jenny Schlenzka is the Executive Artistic Director at Performance Space 122. Laura Hoptman is a Curator in the Department of Painting & Sculpture, MoMA. Lucy Gallun is an Assistant Curator in the Department of Photograph, MoMA. Ann Magnuson is a performance and recording artist and writer based in Los Angeles. She was the manager and performance curator at Club 57 from 1979 to 1980.

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