Simon Callow

The National Portrait Gallery's collections hold numerous portraits of creative partnerships. This book looks at the extensive collection of the Gallery and explores the role of love and the people featured both as sitters and artists. Drawing on recent scholarship, the exhibition will explore changing ideas of love, and give readers the opportunity to discover love stories both tragic and...

This is an examination of The Night of the Hunter, Charles Laughton's only outing as a film director. It looks at the symbolism of the piece, at Willa, her throat cut sitting in the Model-T Ford, and the Preacher, a silhouetted threat on the horizon.

The Night of the Hunter (1955) was Charles Laughton's only film as director. Part expressionist horror movie, part luminous fairy tale, it contains some of the most haunting images in cinema. Willa (Shelley Winters), her throat cut and hair streaming out like seaweed, sitting upright in a submerged Model-T Ford. Her children, framed by looming animals, in a downriver flight...