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The Moving Body (Le Corps Poétique)

Teaching Creative Theatre
Series: Theatre Makers
4.27 goodreads logo

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( 448 ratings, 27 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Moving Body (Le Corps Poétique) by Jacques Lecoq explores the physical aspects of movement and performance in theatre. Lecoq delves into the ways the human body communicates through gestures and expressions, offering insights into his methodology for training actors. The book serves as a guide to understanding the dynamics of movement, encouraging a deeper, creative engagement with physical expression in the realm of arts and culture.
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Format: Paperback / softback
$3899
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

You might enjoy this book if you have an interest in physical theatre or are fascinated by the connection between movement and storytelling. It offers insights into the art of performance, blending theory with practical exercises, and is particularly appealing to actors, directors, and anyone eager to explore the poetic potential of the human body in artistic expression.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

In life, I want students to be alive and on stage I want them to be artists - Jacques Lecoq

Jacques Lecoq was one of the most inspirational theatre teachers of our age. In The Moving Body, he shares with us first-hand his unique philosophy of performance, improvisation, masks, movement, and gesture, which together form one of the greatest influences on contemporary theatre.

Neutral mask, character mask and counter masks, bouffons, acrobatics, commedia, clowns and complicity: all the famous Lecoq techniques are covered in this book - techniques that have made their way into the work of former collaborators and students including Dario Fo, Ariane Mnouchkine, Yasmina Reza, and Theatre de Complicite.

The book contains a foreword by Simon McBurney, a critical introduction by Mark Evans, and an afterword by Fay Lecoq, Director of the International Theatre School in Paris.

Series: Theatre Makers

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  • The Moving Body (Le Corps Poétique)
    In life, I want students to be alive and on stage I want them to be artists - Jacques Lecoq Jacques Lecoq was one of the most inspirational theatre teachers of our age. In The Moving Body, he shares with us first-hand his unique philosophy of performance, improvisation, masks, movement, and gesture, which together form one of the greatest influences...
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  • The Paris Manuscript
    In the early 1930s, during his first years of exile and 20 years before the publication of his seminal work To the Actor, Michael Chekhov made his first incursion into the challenging task of writing about an actor’s experience and his vision of the craft. This important, though largely forgotten, work (the so-called Paris Manuscript) was handwritten in German. In...
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  • Revolutionary Messages
    Published here in its entirety in English, Artaud’s Revolutionary Messages collects Antonin Artaud’s political, aesthetic, and philosophical writings during his travels to Mexico in 1936. Written around the same time as his seminal work The Theatre and its Double, it captures a crucial point in Artaud's life shortly before he was admitted to a mental asylum in which he was...
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    Award-winning British playwright Leo Butler looks back over 25 years of writing for the stage and his extensive experience teaching and mentoring emerging playwrights through the Royal Court Young Writers' Programme. With honesty and humour, Leo Butler shares his experiences from his working-class upbringing in Sheffield, including his disastrous state education, his years on the dole, to his breakthrough into...
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  • The Theatre and its Double
    In The Theatre and Its Double, first published in 1938, Antonin Artaud puts forward his radical theories on drama and theatre, which he saw as being stifled by conservatism and a lack of experimentation. Containing the famous manifestos of the ‘Theatre of Cruelty’, this collection of essays analyses the underlying impulses of performance, provides suggestions on a physical-training method for...
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  • The Dramaturgy of Space
    In Ramón Griffero’s seminal work, The Dramaturgy of Space, the playwright and director describes his aesthetic philosophy and theoretical approach to theatrical creation, illustrating his theory through practical application in a series of exercises. As well as touching upon some of Griffero’s own work, like Cinema Utopia (1985), Tus deseos en fragmentos (2003), Fin del eclipse (2007) and El azar...
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  • Notes from the Rehearsal Room
    Renowned theatre and film director Nancy Meckler delves into her hugely varied experiences in the rehearsal room and shares examples of tried-and-tested “tools” to bring a play to life. Meckler encourages you to interrogate, play, experiment and to use her methods as a starting point to begin creating your own unique directing toolkit and finding your own style. The examples...
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  • The Art of Resonance
    What is artistic resonance and how can it be linked to one's life and one's art? This latest book of essays from legendary theatre director Anne Bogart considers the creation of resonance in the artistic endeavour, with a focus on the performing arts. The word 'resonance' comes from the Latin meaning to 're-sound' or 'sound together'. From music to physics,...
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    Is there a fundamental connection between New York's Elevator Repair Service's 9-hour production of The Great Gatsby and a Kathakali performance? How can we come to appreciate the slowness of Kabuki theatre as much as the pace of the Whatsapp theatre of post-Arab Spring Turkey? Can we go beyond our own culture's contemporary definition of a 'good play' and think...
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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

The Moving Body (Le Corps Poétique) by Jacques Lecoq is celebrated for its insightful exploration of mime and its profound impact on theatre and performance art. Using accessible language complemented by illustrative drawings, Lecoq illuminates the importance of mime in both acting and broader life experiences. It's considered essential for actors, researchers, and theatre historians due to its influence on the expressive body in twentieth-century dance and theatre.

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Book Details

INFORMATION

ISBN: 9781474244763

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 09 July 2020

Country: United Kingdom

Imprint: Methuen Drama

Edition: 3rd edition

Contributors:

  • Translated by David Bradby
  • Foreword by Simon McBurney

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 22.0mm

Width: 156.0mm

Height: 234.0mm

Weight: 360g

Pages: 232

About the Author

Jacques Lecoq (b. Paris, 1921) was an actor, mime and acting instructor. His physical theatre and movement methods, taught at L'École Internationale de Théâtre Jacques Lecoq, made him famous throughout the world. As an actor he performed with Dario Fo in Italy. As a teacher he was widely regarded as a master in his field, and his school remains an unrivalled centre for the art of physical theatre.

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