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The Contemporary Superhero Film

Projections of Power and Identity
Series: Short Cuts
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( 11 ratings, 2 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Contemporary Superhero Film by Terence McSweeney offers a concise and current exploration of the global superhero genre, examining its narrative codes and broad appeal. The book delves into the social, ideological, and cultural aspects of superhero films, analysing how they reflect contemporary social anxieties and cultural values. Through case studies, McSweeney investigates representations of gender, race, and sexuality, and considers how the genre comments on political debates. The analysis spans beyond American cinema, contrasting global superhero films with the dominant US model.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for students, scholars, and enthusiasts in arts and culture seeking an accessible yet comprehensive study of contemporary superhero films and their global significance.

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Terence McSweeney provides a concise and up-to-date overview of the superhero genre. He lays out its narrative codes and conventions, exploring why it appeals to diverse audiences and what it has to say about the world in the first two decades of the twenty-first century.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Audiences around the globe continue to flock to see the latest releases from Marvel and DC studios, making it clear that superhero films resonate with the largest global audience that Hollywood has ever reached. Yet despite dominating theatre screens like never before, the superhero genre remains critically marginalisedβ€”ignored at best and more often actively maligned.

The Contemporary Superhero Film by Terence McSweeney examines this global phenomenon, providing a concise and up-to-date overview of the superhero genre. He lays out its narrative codes and conventions, exploring why it appeals to diverse audiences and what it has to say about the world in the first two decades of the twenty-first century.

Unpacking the social, ideological, and cultural content of superhero films, McSweeney argues that the genre should be considered a barometer of contemporary social anxieties and a reflection of cultural values. He scrutinises representations of gender, race, and sexuality as well as how the genre's conventions relate to and comment on contemporary political debates. Beyond American contributions to the genre, the book also features extensive analysis of superhero films from all over the world, contrasting them with the dominant U.S. model.

The book's presentation of a range of case studies and critical debates is accessible and engaging for students, scholars, and enthusiasts at all levels.

Series: Short Cuts

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Praised for its insightful examination of superhero cinema's cultural impact, McSweeney's work appeals to both comics enthusiasts and scholars. Reviewers highlight its student-friendly approach and thorough overview of the genre's scholarship, making it an excellent introduction.

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Book Details

INFORMATION

ISBN: 9780231192415

Publisher: Columbia University Press

Format: Paperback / softback

Date Published: 10 November 2020

Country: United States

Imprint: Columbia University Press

Illustration: 36 b&w film stills

Audience: General / adult

DIMENSIONS

Width: 140.0mm

Height: 216.0mm

Weight: 250g

Pages: 176

About the Author

Terence McSweeney is senior lecturer in film and television studies at Solent University. His books include Avengers Assemble! Critical Perspectives on the Marvel Cinematic Universe (Wallflower, 2018) and The War on Terror and American Film: 9/11 Frames Per Second (2014).

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