Anna Halprin
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The revised and reissued Anna Halprin traces the life's work of this radical dance-maker, documenting her early career as a modern dancer in the 1940s through to the development of her groundbreaking approach to dance as an accessible and life-enhancing art form.
Anna Halprin traces the life's work of this radical dance-maker, documenting her early career as a modern dancer in the 1940s through to the development of her groundbreaking approach to dance as an accessible and life-enhancing art form. Now revised and reissued, this book:
- Sketches the evolution of the San Francisco Dancers' Workshop, exploring Halprin's connections with the avant-garde theatre, music, visual art and architecture of the 1950s and 60s.
- Offers a detailed analysis of Halprinβs work from this period.
- Provides an important historical guide to a time when dance was first explored beyond the confines of the theatre and considered as a healing art for individuals and communities.
As a first step towards critical understanding, and an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for todayβs student.
Series: Routledge Performance Practitioners
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INFORMATION
ISBN: 9780815364092
Publisher: Taylor & Francis Inc
Format: Hardback
Date Published: 13 June 2018
Country: United States
Imprint: Routledge
Edition: 2nd edition
Illustration: 1 Line drawings, black and white; 20 Illustrations, black and white
Audience: Tertiary education
DIMENSIONS
Width: 129.0mm
Height: 198.0mm
Weight: 560g
Pages: 206
About the Author
Helen Poynor is an independent movement artist specializing in environmental, site-specific and autobiographical performance and cross art-from collaborations. She runs the Walk of Life Workshop and Training Programme. She is Visiting Professor of Performance at Coventry University, UK and a Registered Dance Movement Therapist. Libby Worth is a movement practitioner focusing on collaborative art processes, performer training, and responsive performance. She is a Reader in Contemporary Performance Practices at Royal Holloway, University of London, UK. Both authors trained with Anna Halprin in the early 1980s.
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