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Linda Nochlin on The Body

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Brief Description
Renowned art historian and pioneering feminist Linda Nochlin explores how, from the late 18th century, fragmented, mutilated and fetishised representations of the human body came to constitute a distinctively modern view of the world. Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers... Read More
Format: Hardback
$3499
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Linda Nochlin on The Body

Renowned art historian and pioneering feminist Linda Nochlin explores how, from the late eighteenth century, fragmented, mutilated, and fetishized representations of the human body came to constitute a distinctively modern view of the world.

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Renowned art historian and pioneering feminist Linda Nochlin explores how, from the late 18th century, fragmented, mutilated and fetishised representations of the human body came to constitute a distinctively modern view of the world.

Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.

Linda Nochlin on The Body is a testament to Nochlin's insightful analysis and her contribution to both art history and feminist discourse. This work invites readers to reconsider the artistic portrayal of the human form and its implications on society's perception of modernity.

Series: Pocket Perspectives

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Book Details

INFORMATION

ISBN: 9780500027257

Publisher: Thames & Hudson Ltd

Format: Hardback

Date Published: 02 May 2024

Country: United Kingdom

Imprint: Thames & Hudson Ltd

Illustration: 37 Illustrations, color

Audience: General / adult

DIMENSIONS

Width: 116.0mm

Height: 180.0mm

Weight: 190g

Pages: 88

About the Author

Linda Nochlin (1931-2017) was Lila Acheson Wallace Professor Emerita of Modern Art at the New York University Institute of Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Women, Art and Power, Representing Women and Courbet, as well as the pioneering essay from 1971: 'Why Have There Been No Great Women Artists?'

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