Series: Lawrence Alma-Tadema

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival's great antiquity through architectural details, dress, sculpture and musical instruments based on Roman originals. 1000 pieces Dimensions: 24 x 18 inches (61 x 46 cm) Quality design that is...

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival's great antiquity through architectural details, dress, sculpture, and musical instruments based on Roman originals.

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival s great antiquity through architectural details, dress, sculpture and musical instruments based on Roman originals.

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival's great antiquity through architectural details, dress, sculpture, and musical instruments based on Roman originals.

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival's great antiquity through architectural details, dress, sculpture, and musical instruments based on Roman originals.

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival's great antiquity through architectural details, dress, sculpture and musical instruments based on Roman originals.

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival's great antiquity through architectural details, dress, sculpture, and musical instruments based on Roman originals.

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival s great antiquity through architectural details, dress, sculpture and musical instruments based on Roman originals.

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival's great antiquity through architectural details, dress, sculpture, and musical instruments based on Roman originals.

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival s great antiquity through architectural details, dress, sculpture and musical instruments based on Roman originals.

In his Spring painting (1894), Lawrence Alma-Tadema represented the Victorian custom of sending children to collect flowers on May Day. By placing the scene in ancient Rome, he suggested the festival's great antiquity through architectural details, dress, sculpture and musical instruments based on Roman originals.