Scenographic Design Drawing
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This enlightening study explores the set design drawings for theatre and live performance, highlighting their unique qualities within the greater arena of drawing practice and theory. The latest volume in the Drawing In series, Scenographic Design Drawing encourages an interdisciplinary dialogue in the field of drawing with the inclusion of illustrations throughout.
Scenographic design drawings visualise the images in the designerβs βmindβs eyeβ early in the design process. They are the initial design tool in the creative engagement with theatre, opera, dance, and non-text-based performance. It is, in particular, this body of drawings that is unique as both a performative and a theatrical representation of multiple worlds within the βstage spaceβ. Sue Field illuminates this illustration process and identifies how these drawings have functioned and developed over time.
Scenographic Design Drawing serves to satisfy an emerging global curiosity and a thirst for new knowledge and understanding in relation to the drawings executed by the historical and contemporary scenographer. This work addresses a critical research gap and shows how the scenographic design drawing continues to be a principal site of innovation, subjectivity, originality and authorship in theatre and live performance.
Series: Drawing In
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INFORMATION
ISBN: 9781350464094
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 11 July 2024
Country: United Kingdom
Imprint: Bloomsbury Visual Arts
Illustration: 21 bw illus and 8pp colour plate section
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 18.0mm
Width: 156.0mm
Height: 232.0mm
Weight: 630g
Pages: 288
About the Author
Sue Field is a researcher at UNSW Art and Design, Australia, and a lecturer in the School of Architecture at the University of Technology, Australia. Sue has an exemplary history of working in the performing arts industry. She has extensive experience in scenographic design, lecturing and teaching, practice-based education and research, and is a practitioner in expanded drawing as an art practice. She has written scholarly papers for journals, national and international conferences, and has published academic book chapters. She was awarded a Doctor of Philosophy (PhD) from the University of New South Wales, Australia, in 2018.
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