Series: Critical Studies in Media and Communication

Against the background of the media commercialization reform since the 1990s in China and drawing on the case of X-Change (2006-2019), Wei Dong investigates the entanglements between emotion and subjectivity, ideology, identity and hegemonic power in the multimodal text of the program. The focus lies on the ways in which emotions are appropriated and disciplined by regimes of power and...