Series: Contemporary Practices in Alternative Process Photography

Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and colour, serving as a point source for a new carbon printer to begin...

Chrysotype is about photographic printing in gold on paper. This 19th-century printing process, modified for contemporary use, provides artists with an affordable way to produce permanent prints in gold. By using film or digital negatives, striking hand-coated prints can be created in monochromatic hues ranging from pink, violet, magenta and purple, to green, blue, grey and black. Chrysotype offers a...

Cyanotype: The Blueprint in Contemporary Practice is a two-part book on the much-admired blueprint process. Part One is a comprehensive how-to guide on the cyanotype process for both beginner and advanced practitioners, with abundant photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who use cyanotype, creating work that ranges from the photographic to the abstract, from...

Cyanotype: The Blueprint in Contemporary Practice is a two-part book on the much-admired blueprint process. Part One is a comprehensive how-to on the cyanotype process for both beginner and advanced practitioners, featuring many photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who are using cyanotype, making work that ranges from the photographic to the abstract, from...

Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilised properly, it has the potential to rival other processes in terms of detail and tonal range, but its Prussian blue colour isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned with various—and at times hazardous—chemicals, as well as more...

Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilised properly, it has the potential to rival other processes when it comes to detail and tonal range, but its Prussian blue colour isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned not only with various—and at times hazardous—chemicals but...

Digital Negatives with QuadToneRIP is a text that fully explores how the QuadToneRIP printer driver can be used to make expert digital negatives. The book takes a comprehensive, "under-the-hood" look at how Roy Harrington’s QTR printer driver can be adapted for use by artists in several different creative practice areas. The text is written from the Mac/Photoshop point of view....

Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a two-part book on gum bichromate written by the medium’s leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the "dimroom" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to...

Focusing on three iron-silver processes—kallitype, Vandyke Brown, and argyrotype—Kallitype, Vandyke Brown, and Argyrotype will guide readers through how to create prints using these accessible and historic processes in the digital age. Often termed the Brownprint processes, author Donald W. Nelson provides step-by-step detail on how to create prints using kallitype, Vandyke brown, and argyrotype methods, including information on the materials...

Focusing on three iron-silver processes—kallitype, Vandyke Brown, and argyrotype—Kallitype, Vandyke Brown, and Argyrotype will guide readers through how to create prints using these accessible and historic processes in the digital age. Often termed the Brownprint processes, author Donald W. Nelson provides step-by-step detail on how to create prints using kallitype, Vandyke brown, and argyrotype methods. This includes information on the...

Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure and only requires simple and safe steps for clearing to a stable,...

Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure and only requires simple and safe steps for clearing to a stable,...

Salted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists makes one of the oldest known photographic processes easy for the 21st century using simple digital negative methods. Christina Z. Anderson’s in-depth discussion begins with a history of salted paper printing, then covers the salted paper process from beginner to intermediate level, with step-by-step instructions and an illustrated troubleshooting guide. Including...

Salted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists makes one of the oldest known photographic processes easy for the 21st century using simple digital negative methods. Christina Z. Anderson’s in-depth discussion begins with a history of salted paper printing, then covers the salted paper process from beginner to intermediate level, with step-by-step instructions and an illustrated troubleshooting guide. Including...

The Experimental Darkroom is a book focused on traditional black & white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches today. Each...

The Handmade Silver Gelatin Emulsion Print is a cookbook of simple, basic recipes for making black and white printing paper and paper negatives, along with creative options for printing, toning, and colouring. Author Denise Ross draws from photographic literature from the last 135 years, adapting old recipes to fit modern tools, materials, and workspaces. Modern twists have been applied to...