Vopli Vidopliassova’s Tantsi
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"Tells the story of how an underground cassette tape recorded in mere hours by the Ukrainian punk rock group known as "Ve-Ve" introduced a new aesthetics of irony and challenged the boundaries of official and unofficial culture in the late Soviet period of the 1980s"--
Tells the story of how an underground cassette tape recorded in mere hours by the Ukrainian punk rock group known as “Ve-Ve” introduced a new aesthetics of irony and challenged the boundaries of official and unofficial culture in the late Soviet period of the 1980s.
Rock ‘n’ roll may not have toppled the USSR, but it definitely rumbled through its foundations. Unlike the often-saccharine pop music sanctioned by the Soviet state, Ukrainian punk musicians of the 1980s Kyiv underground adapted ideologies of rock to roast the absurdities of late Soviet life, to articulate new ways of being Ukrainian, and to celebrate the cathartic pleasures of collective gatherings organised around musical performances.
This book tells the story of Tantsi (Dances), a 1989 semi-official cassette release by the now-legendary Ukrainian punk band Vopli Vidopliassova, known to fans simply as VV (pronounced “Ve-Ve”). Their disruptive musical sounds, ironic lyrics, use of language, and propulsive performances toyed with the distinctions between official and unofficial Soviet culture. VV's Tantsi exemplifies how Soviet musical cultures existed within an ecosystem of contradictions as entrenched state infrastructures collided with emergent youth subcultures on the quicksand of late Soviet life. Today, Tantsi continues to invite us to dance while we laugh (or cry) at the absurdities of everyday life.
Series: 33 1/3 Europe
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INFORMATION
ISBN: 9781501363115
Publisher: Bloomsbury Publishing Plc
Format: Paperback / softback
Date Published: 15 June 2023
Country: United States
Imprint: Bloomsbury Academic
Illustration: 8 bw illus
Audience: Tertiary education
DIMENSIONS
Spine width: 12.0mm
Width: 126.0mm
Height: 196.0mm
Weight: 220g
Pages: 192
About the Author
Maria Sonevytsky is Associate Professor of Anthropology and Music at Bard College, USA. She is the author of Wild Music: Sound and Sovereignty in Ukraine (2019), winner of the 2020 Lewis Lockwood Award from the American Musicological Society, and is currently writing a book about Soviet Ukrainian children’s music.
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