Sarah Hermanson Meister

The United States was in the midst of the Depression when photographer Dorothea Lange, a portrait-studio owner, began documenting the country's rampant poverty. Her depictions of unemployed men wandering the streets of San Francisco gained the attention of one of President Franklin D. Roosevelt's New Deal agencies, the Resettlement Administration (later the Farm Security Administration), and she started photographing the...

Published to accompany the first museum exhibition in the United States of the work of German-born Grete Stern and Argentinean Horacio Coppola, From Bauhaus to Buenos Aires explores the individual accomplishments and parallel developments of two of the foremost practitioners of avant-garde photography in Europe and Latin America. The book traces their artistic development from the early 1930s, when the...

The final volume in a series of books that presents a new and comprehensive history of photography through works in MoMA's collection. Photography at MoMA: 1860-1920 is the final volume in a set of three books that together present a new and comprehensive history of photography through works in MoMA's collection. Richly illustrated with over 400 reproductions, the book charts...

In 1967, The Museum of Modern Art presented New Documents, a landmark exhibition organised by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signalled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander, and Garry Winogrand. Though largely unknown at the time, these three photographers are now...

Towards the end of her life, Dorothea Lange (American, 1895-1965) remarked that "all photographs—not only those that are so-called 'documentary,' and every photograph really is documentary and belongs in some place, has a place in history—can be fortified by words." Though Lange's career is widely heralded, this connection between words and pictures has received scant attention. Published in conjunction with...

Italian photographer Luigi Ghirri (1943-1992) coined the term "sentimental geography" to describe a unique artistic approach in which the ordinary was worthy of scrutiny. In March 1975, on a visit to New York, the esteemed art historian Arturo Carlo Quintavalle hand delivered a unique representation of Ghirri's work to John Szarkowski, director of MoMA's Department of Photography at the time....