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A Level Film Studies

The Essential Introduction
Series: Essentials
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
A Level Film Studies provides a comprehensive guide for students preparing for A Level exams. The book begins by explaining fundamental film concepts such as mise en scène, cinematography, editing, sound, and performance, encouraging students to expand their understanding through analysis of diverse films and ideas.

It introduces key theoretical frameworks on narrative, genre, representation, spectatorship, and authorship, before exploring national cinemas from around the world. Later sections cover silent cinema, experimental films, documentaries, and guide students in developing their own creative filmmaking skills.

Features include detailed case studies of notable films, activities linked to significant titles, clear definitions of essential terms, and recommended further reading and online resources.
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Format: Paperback / softback
$8999
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for A Level students studying Film Studies, offering a clear, step-by-step approach to mastering the subject. It also suits teachers seeking a structured resource aligned with current exam specifications.

Book Hero thinking about your next read

This essential book covers the key areas for A Level Film Studies students, building confidence through a careful, step-by-step approach.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

This essential book covers the key areas for A Level Film Studies students, building confidence through a careful, step-by-step approach.

The first part of the book establishes a basic understanding of the grounding of film analysis in the various elements of film construction, mise en scène, cinematography, editing, sound and performance, developing the knowledge students have of movies whilst challenging them to consider new films and ideas. Key theoretical approaches around narrative, genre, representation, spectatorship and authorship are introduced in Part II, before we consider specific national cinemas from around the world in Parts III and IV. In Part V, the book assesses a range of slightly different film experiences, looking at silent cinema, experimental films and documentaries; before, finally, Part VI shifts to evaluating creative approaches to students’ own filmmaking.

Specifically designed to be user-friendly, the book has an easy-to-follow design, includes more than 60 colour images and is packed with features such as:

  • case studies on a range of films and filmmakers;
  • activities on such films as Sunrise: A Song of Two Humans (Murnau, 1927, USA), Vertigo (Hitchcock, 1958, USA), Do the Right Thing (Lee, 1989, USA), We Need to Talk About Kevin (Ramsay, 2011, UK) and Stories We Tell (Polley, 2012, Canada);
  • definitions of key terms; and
  • suggestions for further reading and website resources.

Matched to the current exam specification, A Level Film Studies: The Essential Introduction covers everything students need to study as part of the course. The book is supported by a companion website at www.alevelfilmstudies.co.uk, offering further advice and activities.

Series: Essentials

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Book Details

INFORMATION

ISBN: 9780415520898

Publisher: Taylor & Francis Ltd

Format: Paperback / softback

Date Published: 13 February 2020

Country: United Kingdom

Imprint: Routledge

Edition: 3rd edition

Illustration: 1 Tables, black and white; 2 Line drawings, color; 112 Halftones, color; 114 Illustrations, color

Audience: Primary and secondary education, Tertiary education

DIMENSIONS

Width: 174.0mm

Height: 246.0mm

Weight: 840g

Pages: 492

About the Author

Sarah Casey Benyahia is Head of Film Studies at Colchester Sixth Form College. She is the author of Crime (2011), 'Between Place and Non-Place: Disrupting the Categorizations of the Past in Ida' in S. Allen and K. Møllegaard (eds), Narratives of Place in Literature and Film (2019), and co-author of Doing Film Studies (2012).

John White is the author of Westerns (2011), European Art Cinema (2017), and The Contemporary Western: An American Genre Post-9/11 (2019). He is co-editor of The Routledge Encyclopedia of Films (2014).

Freddie Gaffney is a lecturer, screenwriter, and filmmaker. He is co-author of AS Film Studies: The Essential Introduction, 2nd edn (2008) and On Screenwriting (2009).

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