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Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido. 40th Ed.

Brief Description
The Kisokaido route through Japan was ordained in the early 1600s by the country's then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance... Read More
Format: Hardback
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Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido. 40th Ed.

This edition reprints Keisai Eisen and Utagawa Hiroshige's legendary series The Sixty-Nine Stations along the Kisokaido, a stunning representation of the historic route between Edo and Kyoto. This vivid tapestry of 19th-century Japan is in equal parts a major artifact of its imperial past and a masterwork of woodblock practice.

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The Kisokaido route through Japan was ordained in the early 1600s by the country's then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travellers.

In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.

Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaido, we find the artists' distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice.

Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it's the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.

Taken as a whole, the Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of colour, but also a charming tapestry of 19th-century Japan, long before the spectre of industrialisation. This TASCHEN volume is sourced from one of the finest surviving first editions and revives the series in our compact anniversary edition.

Book Details

INFORMATION

ISBN: 9783836594875

Publisher: Taschen GmbH

Format: Hardback

Date Published: 07 February 2024

Country: Germany

Imprint: Taschen GmbH

Edition: Multilingual edition

Audience: General / adult

DIMENSIONS

Spine width: 34.0mm

Width: 156.0mm

Height: 217.0mm

Weight: 1188g

Pages: 512

About the Author

Rhiannon Paget studied at Tokyo University of the Arts and received her doctorate in Japanese Art History from the University of Sydney, Australia. The curator of Asian art at the John & Mable Ringling Museum of Art in Sarasota, Florida, she has published research on Japanese woodblock prints, textiles, board games, and nihonga.

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