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Performance Generating Systems in Dance

Dramaturgy, Psychology, and Performativity
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Performance Generating Systems in Dance explores systematic and task-based dramaturgies that produce dynamic dance performances. Pil Hansen analyses how these systems, distinct from traditional choreography and improvisation, enable dancers to create evolving movement patterns within defined boundaries. The book reveals how these systems influence dancers' dramaturgical agency, cognitive processes, and relational dynamics. It also examines their role in addressing trauma and fostering learning and adaptation, offering valuable frameworks for choreography, dance dramaturgy, education, community dance, and dance psychology.
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Format: Hardback
$21899
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Students and scholars of dance studies, choreographers, dance educators, and practitioners interested in dance dramaturgy, cognitive learning in performance, and community dance applications will find this work particularly relevant.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

An interdisciplinary analysis of how performance generating systems attract patterns of movement and why that affects dramaturgical agency, cognitive learning, and relational change.

Performance Generating Systems in Dance are systematic and task-based dramaturgies that generate performance for or with an audience. In dance, such systems differ in ways that matter from more closed choreographed scores and more open forms of structured improvisation. Dancers performing within these systems draw on predefined and limited sources while working on specific tasks within constraining rules. The generating components of the systems provide boundaries that enable the performance to self-organise into iteratively shifting patterns instead of becoming repetitive or chaotic.

This book identifies the generating components and dynamics of these works and the kinds of dramaturgical agency they enable. It explains how the systems of these creations affect the perception, cognition, and learning of dancers and why that is a central part of how they work. It also examines how the combined dramaturgical and psychological effects of the systems performatively address individual and social conditions of trauma that otherwise tend to remain unchangeable and negatively impact the human capacity to learn, relate, and adapt. The book provides analytical frameworks and practical insights for those who wish to study or apply performance generating systems in dance within the fields of choreography and dance dramaturgy, dance education, community dance, or dance psychology.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Praised for moving beyond typical choreography theory, Hansen's work provides clear definitions and practical insights into inventive dance creation methods. Ideal for graduate seminars and dance educators, it inspires curiosity and explorative practice in dance students.

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Book Details

INFORMATION

ISBN: 9781789386400

Publisher: Intellect

Format: Hardback

Date Published: 21 November 2022

Country: United Kingdom

Imprint: Intellect Books

Illustration: 16 black and white illustrations

Audience: Professional and scholarly

DIMENSIONS

Width: 170.0mm

Height: 244.0mm

Weight: 250g

Pages: 174

About the Author

Dr. Pil Hansen is professor of the performing arts at the University of Calgary in Canada, President of Performance Studies international, general editor of the Expanded Dramaturgy book series (Routledge), a founding member of Vertical City Performance, and a dance/inter-arts dramaturg. Her empirical and PaR experiments examine cognitive dynamics of memory and learning, and social dynamics of connection, in creative processes. Hansen has dramaturged more than thirty works in Scandinavia and North America and authored or edited over forty publications. Her latest co-edited books are Dance Dramaturgy: Modes of Agency, Awareness and Engagement (2015) and Performing the Remembered Present: The Cognition of Memory in Dance, Theatre and Music (2017).

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