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Roaring

Art, Fashion, and the Automobile in France, 1918–1939
By Ken Gross and Genevieve Cortinovis and Pierre-Jean Desemerie and Sarah Berg
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Brief Description
Lavishly illustrated, this catalogue explores the role of the automobile as both object and subject in interwar France, a period of exceptional creativity, innovation, and turbulence. Expansive and interdisciplinary, Roaring illuminates the rich creative ecosystems that nourished this golden age of French automotive design. The publication... Read More
Format: Hardback
$9000
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Lavishly illustrated, this catalogue explores the role of the automobile as both object and subject in interwar France, a period of exceptional creativity, innovation, and turbulence. Expansive and interdisciplinary, Roaring illuminates the rich creative ecosystems that nourished this golden age of French automotive design.

The publication explores the role of the automobile as both object and subject in France between the two world wars. It untangles the impact of fashion, interiors, architecture, aviation, and the avant-garde on French automobile design and production. In turn, it highlights the bold, untethered visions of artists like Josephine Baker, Le Corbusier, Sonia and Robert Delaunay, and Jacques-Henri Lartigue, who embraced the automobile as a provocative expression of the modern age.

Book Details

INFORMATION

ISBN: 9783777444581

Publisher: Hirmer Verlag

Format: Hardback

Date Published: 10 July 2025

Country: Germany

Imprint: Hirmer Verlag

Illustration: 260 Illustrations, color

Contributors:

  • Edited by Genevieve Cortinovis
  • Text by Ken Gross
  • Text by Justice Henderson
  • Text by Daniel Marcus

Audience: General / adult

DIMENSIONS

Width: 255.0mm

Height: 290.0mm

Weight: 1640g

Pages: 208

Collections

Arts & Culture Genevieve Cortinovis Ken Gross Non-Fiction Pierre-Jean Desemerie Sarah Berg

About the Author

Genevieve Cortinovis is the Andrew W. Mellon Foundation associate curator of decorative arts and design at the Saint Louis Art Museum. She joined the museum in 2012 after earning a master's degree in the history of decorative arts, design, and material culture from the Bard Graduate Center in New York City.

Essays by Sarah Berg, Genevieve Cortinovis, Pierre-Jean Desemerie, Ken Gross, Justice Henderson, and Daniel Marcus

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