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Crisis as Form

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( 11 ratings, 1 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Crisis as Form by Peter Osborne offers a profound exploration of contemporary art criticism, challenging the divide between activism and formal critique. Through essays that revisit the principles of art judgement, Osborne critically interprets works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof, and Cady Noland. The book spans philosophical considerations, the evolving nature of medium-specificity in photography and art music, and transformations within museums, culminating in an analysis of how art uniquely engages with time. It argues that understanding contemporary art's inherent crisis of form is essential to giving artistic meaning to crisis itself.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers interested in contemporary art theory, philosophy of art, and cultural criticism, including academics, art critics, museum professionals, and thoughtful art enthusiasts.

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How does contemporary art best respond to social crisis? Through reflection on its own crisis of form

How does contemporary art best respond to social crisis? Through reflection on its own crisis of form

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art judgment are largely neglected on both sides.

These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof, and Cady Noland.

Crisis as Form moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.

To give artistic form to crisis, it is suggested, one needs to understand contemporary artโ€™s own constitutive crisis of form.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Crisis as Form has garnered acclaim for its sweeping philosophical insight into contemporary art. John Rapko of Notre Dame's Philosophical Reviews calls it "an important achievement" for its holistic philosophical engagement. Blake Stimson praises it as "a brilliant book," while Lisa Trhair highlights Osborne's skill in connecting geopolitical shifts to art practices, making it vital reading for philosophers, art historians, critics, and new media theorists. James Lavender lauds it as "an inestimably significant intervention" in debates on the history, theory, and philosophy of contemporary art.

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Book Details

INFORMATION

ISBN: 9781839763625

Publisher: Verso Books

Format: Paperback / softback

Date Published: 27 September 2022

Country: United Kingdom

Imprint: Verso Books

Illustration: 24 b&w

Audience: General / adult

DIMENSIONS

Spine width: 15.0mm

Width: 153.0mm

Height: 234.0mm

Weight: 253g

Pages: 224

About the Author

Peter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy, Kingston University London. His books include The Politics of Time, Anywhere or Not At All: Philosophy of Contemporary Art and The Postconceptual Condition.

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