Not a Hazardous Sport
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Not a Hazardous Sport
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Not a Hazardous Sport
Not a Hazardous Sport provides a magnificent end to a trilogy of anthropological journeys that began with The Innocent Anthropologist and A Plague of Caterpillars (both published by Eland).
Not a Hazardous Sport by Nigel Barley takes readers on an adventurous journey to the island of Sulawesi in Indonesia, where Barley immerses himself among the Torajan people. Known for their spectacular buildings and elaborate ancestor cults, the Torajan society offers a perfect setting for anthropological fieldwork, aligning with Barley's own advice to his students to choose a location where the people are beautiful, friendly, where you would appreciate the food, and enjoy the flowers.
With his characteristic wit and attention to detail, Barley provides an insightful look into this complex yet adaptable society. The mutual warmth of his friendships with the Torajan people allows him to experience a role reversal, transforming from the observer to the observed. When four Torajan carvers visit London to build a traditional rice barn at the Museum of Mankind, Barley becomes their host. In this magnificent and self-critical finale, he finds himself explaining the absurd complexities of English city life to his bemused but tolerant guests.
Book Details
INFORMATION
ISBN: 9781780601434
Publisher: Eland Publishing Ltd
Format: Paperback / softback
Date Published: 15 November 2018
Country: United Kingdom
Imprint: Eland Publishing Ltd
Audience: General / adult
DIMENSIONS
Weight: 0g
Pages: 192
About the Author
Nigel Barley was born in Kingston-on-Thames in 1947 and studied Modern Languages at Cambridge before completing a doctorate in Social Anthropology at Oxford. He taught at University College London and the Slade School of Art before joining The Department of Ethnography at the British Museum in 1988 where he remained for some twenty years. After several academic works, he wrote The Innocent Anthropologist in 1983. It contradicted so many cherished assumptions that it led to calls for his expulsion from the professional body of anthropologists. He remained, however, and now the book has been translated into some twenty-five languages and is often the first work embraced by students of anthropology in their studies. He left the Museum in 2002 and is now a professional writer, living in London and Indonesia. His most recent work is Island of Demons, a fictionalised treatment of the life of the painter Walter Spies.
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