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No Fixed Points

Dance in the Twentieth Century
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( 44 ratings, 2 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
No Fixed Points offers a definitive history of twentieth-century theatrical dance across Europe and North America. Covering ballet, modern, and experimental dance from 1900 to 2000, it traces the art form's dramatic transformations through detailed analyses of key choreographers, performers, and cultural contexts. Featuring over 200 photographs, the book illuminates the evolution of dance styles, from early barefoot pioneers like Loie Fuller and Isadora Duncan to the diverse practices of contemporary performance.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for students, scholars, and enthusiasts of dance and performing arts keen on understanding the century-long development of theatrical dance within broader cultural and historical settings.

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Chronicles one hundred years of dramatic developments in ballet, modern, and experimental dance for stage and screen in Europe and North America.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The definitive history of twentieth-century theatrical dance, enhanced with more than 200 exceptional photographs

Winner of the 2005 Congress on Research in Dance Award for Outstanding Publication in Dance Research

"This work is not just reader friendly, it's downright compelling in its chronicle of the most explosively revolutionary century the art form of dance has ever experienced."β€”Karen Campbell, Christian Science Monitor

No Fixed Points chronicles one hundred years of dramatic developments in ballet, modern, and experimental dance for stage and screen in Europe and North America. The volume is magisterial in scope, encompassing the history of theatrical dance from 1900 through 2000. Beginning with turn-of-the-century dancer-choreographers like Loie Fuller, Isadora Duncan, Michel Fokine, and a bit later Vaslav Nijinsky, and proceeding through the profusion of dance styles performed today, the book provides an unparalleled view of dance in performance as it changed and grew in the twentieth century.

Nancy Reynolds and Malcolm McCormick set dance in broader cultural and historical contexts, examine specific dance works, and explore the contributions of outstanding choreographers, performers, visual artists, impresarios, composers, critics, and other figures. They discuss the breakaway barefoot dance of the early 1900s and demonstrate its links with later forms and styles.

With unusual detail, fascinating illustrations, and wide-ranging insights, No Fixed Points is an indispensable guide to the transformations in the dance scene of the twentieth century.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Winner of the 2005 Congress on Research in Dance Award for Outstanding Publication in Dance Research and selected as an Outstanding Academic Title by Choice Magazine, this volume has been praised for its comprehensive scope and readability. Lynn Garafola calls it "simply no other history" matching its detail and insight, while Moira Shearer and Frederic Franklin commend its authoritative, well-researched, and inspiring portrayal of dance history.

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Book Details

INFORMATION

ISBN: 9780300259322

Publisher: Yale University Press

Format: Paperback / softback

Date Published: 13 April 2021

Country: United States

Imprint: Yale University Press

Illustration: 200 b-w illus.

Audience: General / adult, Tertiary education, Professional and scholarly

DIMENSIONS

Width: 187.0mm

Height: 235.0mm

Weight: 250g

Pages: 928

About the Author

Nancy Reynolds is director of research for the George Balanchine Foundation and a former member of the New York City Ballet. She is the author of Repertory in Review, among other books, and was the winner of the 2013 Bessie Award for Outstanding Service to the Field of Dance. Malcolm McCormick was a professional dancer and costume designer and a member of the dance faculty at the University of California, Los Angeles.

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